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Texas Early Music Project
13915 Burnet Road, Suite 402 
Austin, TX 78728
(512) 377-6961

For ticket and concert venue inquiries, email the Box Office

TEMP is a performing ensemble and not a presenting organization or an agency. Please do not contact TEMP about hosting other early music groups.
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13915 Burnet Road, Suite 402
Austin, TX 78728
United States

(512) 377-6961

Founded in 1987 by Daniel Johnson, the Texas Early Music Project is dedicated to preserving and advancing the art of Medieval, Renaissance, Baroque, and early Classical music through performance, recordings, and educational outreach. 

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Explore more than 700 years of musical transformation

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It's May, it's M..... August, the Pretty Darned Hot Month of August

Danny Johnson

Speaking of hot…

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And so, like all reasonable people, we are taking it easy, looking forward to the cooler season before we get busy! Ha. Not really. The “reasonable” part should have given it away. We are preparing for our season opener in September: “Oh Henry! The World of Purcell” (more on that in the next post) AND we’re also preparing for a special event during the same week as the Purcell concert! We are excited to announce a special FREE concert at UT on Sept. 18, from 3pm–5pm, in Bates Recital Hall. We’ve had the good fortune to collaborate with the renowned Sephardic music specialist, Dr. Edwin Seroussi, who will give a brief talk and then members of TEMP will perform, including Jenifer Thyssen, Cayla Cardiff, Gil Zilkha, harpist Therese Honey, and more. Enjoy these audio teasers from our La Rosa and Night & Day CDs and read the details below about this exciting event. Y’all come!

Hope you had a more reasonable summer! More soon!

-Danny

Click on the poster image to download! Please see the parking info below the poster.

Parking Information for Sephardic Songs

Parking is, unfortunately, not free, but the San Jacinto Parking Garage is right across the street from the Music building. The map below shows the location of the parking garage and Bates Recital Hall. Park in the garage and walk across the street. Enter the doors to MRH. Go straight through the hallway to the very end and you’ll see the big staircase leading to the entrance of Bates Recital Hall. See you there!

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It's May, it's May, the lusty mont…oh, what?

Danny Johnson

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Oh yeh, it’s still April. Cruelest month, and all. Sorry. On the other hand, it’s April 25 and your taxes are done or done’ish. Also, it means that it’s Pam Corn’s birthday! Yes, OUR Pam Corn, TEMP Treasurer and Board member! Join me in wishing her a Happy Birthday and in thanking her for all that she and Corn & Corn, L.L.P. do for TEMP! And my sister: It’s her birthday, too! What an auspicious day!!

So, we are preparing for our May concert of Medieval music from Germany, the Texas Toot workshop in June, the Amherst Early Music Workshop in July, and also the upcoming season, which we will keep to ourselves a little longer. Season tickets for 2019-2020 will be available at the May concert, so bring your calendar and grab those tickets while they’re hot!

Learn more about the May concert below and enjoy this audio sample from our 2012 concert “Living Waters: Works by Hildegard von Bingen” and recorded on our Sacred CD:

Hildegard’s music is unique and rare. Come for the 30-minute, pre-concert lecture by Sara Schneider, too, 1 hour before each performance.

More soon, featuring an exciting interview from this year’s SXSW! No more clues!
-Danny


Mystic, Scientist, Scholar, Nun:
Music of Hildegard von Bingen


Saturday, May 11, 2019, at 
 7:30 pm
St. Louis King of France Catholic Church Chapel, 7601 Burnet Road, Austin, TX
Sunday, May 12, 2019, 3:00 pm

St. John’s United Methodist Church, 2140 Allandale Road, Austin, TX

Admission $30 general; $25 seniors (60+); $5 students (at the door only)
Tickets available in advance online or by cash, check, or credit card at the door.

Take advantage of preferred seating and other perks by sponsoring a concert!

For more information, call 512-377-6961 and leave a message,
or email 
info@early-music.org.

TEMP’s 2003 performance of Hildegard von Bingen’s liturgical drama Ordo virtutum won the Austin Critics Table award for Best Chamber Concert of the season. Now we return to the beautifully sophisticated and powerful music of the 12th-century German abbess with a performance of several of her compelling antiphons and sequences, performed by 15 women singers. KMFA’s Sara Schneider, host of the nationally syndicated program Early Music Now, will present a 30-minute lecture one hour before each concert.

Hildegard of Bingen (1098-1179) was a composer, a writer of theological, botanical, and medical texts, a Christian mystic, and an abbess. She has become increasingly important in recent decades due to renewed interest in her visions, music, and holistic healing teachings. She has long been venerated within the Catholic Church, and she was canonized as Saint Hildegard in October 2012. For Hildegard, music was the sacred means through which we become tuned to celestial unity while we remain linked to the lowly vibrations of life on Earth. The melodies of her chants highlight the emotions of the texts through soaring melodic arches, creating an ecstatic aural atmosphere that is unique to her compositions. She compiled all her music into a cycle called Symphonia armoniae celestium revelationum (The Symphony of the Harmony of the Heavenly Revelations), which includes antiphons, sequences, and hymns set to her own texts.

Featured soloists include Jenifer Thyssen, Meredith Ruduski, Gitanjali Mathur, Jenny Houghton, Laura Mercado-Wright, Cayla Cardiff, Shari Alise Wilson, and others. We will also present a few instrumental pieces by composers contemporary to Hildegard’s time, featuring a small instrumental ensemble of vielles, hurdy-gurdy, gittern, and psalteries, led by featured guest Mary Springfels.

Extraordinarily creative and remarkably relevant, Hildegard’s music resonates through the centuries. Please join us for a concert of rare beauty by an exceptional genius.

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Click on the image above to buy tickets now!

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How Many Tudors did the Tudors Tutor?

Danny Johnson

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So, while March comes roaring in like a lion bundled up in down and scarves, I really must thank all of you who supported TEMP and other nonprofits during the Amplify Austin campaign! Your generous contributions will help us present another spectacular concert season for 2019-2020 and will help us continue and “amplify” our education programs in Austin-area schools. I think the final totals for Amplify Austin Day were about $11.2 million (for 740 local organizations) and TEMP came in #18 among the Arts and Culture organizations with 58 donors who helped us reach almost 80% of our goal!

THANK YOU!

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I think you will see the results on the concert stages and in our outreach programs!

Speaking of concert stages, we hope you are keeping track of the calendar and are making plans to come to our Tudor concert: It’s epic, both in the planning and the musical scope.

Here’s a little snippet from our concert of Eton Choirbook/Tudor music back in 2007 and recorded on our Sacred CD:

Tutor yourself by reading the Symphony of Voices concert details below—and thank you, TEMP Fans, for your generosity and enthusiastically amplifying TEMP!

With gratitude,
-Danny


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A Symphony of Voices:
Choral Masterworks of Tudor England


Saturday, March 30, 2019, at 
 7:30 pm
Redeemer Presbyterian Church, 2111 Alexander Avenue, Austin, TX
Sunday, March 31, 2019, 3:00 pm

St. Matthew’s Episcopal Church, 8134 Mesa Drive, Austin, TX

Admission $30 general; $25 seniors (60+); $5 students (at the door only)
Tickets available in advance online or by cash, check, or credit card at the door.

Take advantage of preferred seating and other perks by sponsoring a concert!

For more information, call 512-377-6961 and leave a message,
or email 
info@early-music.org.

A symphony of voices, 26 a cappella voices in this case, works in the same way an orchestral symphony might: There are thickly colorful choral tutti sections alternating with starkly transparent solo lines, hypnotically static harmonic rhythms alternating with florid vocal lines that are full of subtle virtuosity, resplendent with both shimmering beauty and unexpected dissonances resolving quickly to more beauty. This is the tradition of the Eton Choirbook, compiled between c.1490 and c.1510, during the transition from the late Medieval to the early Renaissance in England, which set the path for English choral music for generations. TEMP explores a few of the breathtaking masterpieces from the Eton collection as well as music from the contemporaneous English court.

Thanks to boosts from popular culture on television and in movies, more people than ever are aware of and interested in the very important Tudor court of Henry VIII. During the time during which the Tudors ruled England—almost 90 years, from 1509 until 1603—England’s importance in the world increased dramatically and English musical and artistic culture became more important. In addition to small masterpieces from prominent composers like Robert Fayrfax and William Cornysh, we will perform a least one work written by Henry VIII, who received lessons in music and languages from an early age as a part of the standard curriculum for royal children. He played harp, lute, recorder, harpsichord, and organ. Though some of his best-known compositions are lively and roughly hewn, a much larger percentage of his works are rather intimate and delicate pieces written with obvious care and skill. (No, he did not compose Greensleeves. Who starts these rumors?) Most of his compositions can be dated to the early part of his reign (1509-1547) and can be found in the so-called “Henry VIII manuscript,” which dates from about 1520.

The TEMP viol consort, led by Mary Springfels, will freshen the aural palate with some selections from the court and the chapel. The chorus will include several frequent guests, including countertenor Ryland Angel, Temmo Korisheli, Erin Calata, and former UT-EME member, Joel Nesvadba. They will be joining TEMP core members Jenifer Thyssen, Meredith Ruduski, Jenny Houghton, Stephanie Prewitt, Cayla Cardiff, Jeffrey Jones-Ragona, Gil Zilkha, Brett Barnes, and many more. Twenty-six singers, each a soloist in his or her own right, will help create an unforgettably beautiful experience.

Join us for a beautiful and moving concert that will illuminate the passage from the late Medieval to the early Renaissance with passion and beauty and soothe the souls of 21st century audience members.

Click on the image above to      buy tickets now     !

Click on the image above to buy tickets now!

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Well, you know what they say:

Danny Johnson

There’s cauld Kail in Aberdeen

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I reckon that’s a good thing. Maybe it’s a less good thing. Anyway, it’s a fun song that Jeffrey Jones-Ragona will be singing in our upcoming Celtic Fancies concert (see details below). There are lots of fun pieces, ne’er you fear, to balance out the sad love songs, the happy love songs, the longing love songs, the. . .well, you get the idea. Some of the most romantic songs express love for specific places in Scotland, like The Birks of Invermay, The Braes o’ Ballochmyle, Etrick Banks and, of course, The Broom of Cowdenknows. . .well, there’s quite of variety of aspects of love mixed in that one song alone.

Peter Walker (NY) will be featured on a variety of Scottish smallpipes—think of them as chamber bagpipes, ‘saft and sweet’—and will be featured, along with Cayla Cardiff and Ryland Angel, in the Game of Thrones portion of the concert, based on an historical event in 1630: murder, deception, revenge. Frennet Hall. Amazing! And you don’t need HBO to catch it! Jenifer Thyssen sings a few of Robert Burns’ best poems, Jenny Houghton sings The Broom, David Lopez will warm your heart with his rendition of The Birks…, and all 5 guys (Jeffrey, David, Peter, Ryland, and Danny) will make you laugh with The Pleugh Song, an amazing, epic, 16th-century advertisement for. . .wait for it. . .plows!

Click on the CD images below to listen to more audio teasers!

Besides Peter Walker on pipes, we will feature always-amazing Peter Maund on percussion, Therese Honey and Elaine Barber on harps, and our Ballad Band (see below) with reels, strathspeys, and more! “We are a band compleatly fitted to be joyly!”

“We’ll please ourselves with mutual Charms, as we did lang syne.” Ok, yes, it’s an earlier Auld lang syne than the one that we all sing without really knowing…

Join us! It’ll be wonder bonny!
-Danny


Celtic Fancies: Music From Ireland & Scotland, c. 1500–1800


Saturday, February 16, 2019, at 
 7:30 pm
St. Matthew’s Episcopal Church, 8134 Mesa Drive
Sunday, February 17, 2019, 3:00 pm

First Presbyterian Church, 8001 Mesa Drive, Austin, TX

Admission $30 general; $25 seniors (60+); $5 students (at the door only)
Tickets available in advance online or by cash, check, or credit card at the door.

Take advantage of preferred seating and other perks by sponsoring a concert!

For more information, call 512-377-6961 and leave a message,
or email 
info@early-music.org.

Celtic music is very popular, beautiful, and exciting in the 21st century. But what was it like in earlier periods, 200-500 years ago? Well, it was popular, beautiful, and exciting! Even the English held the Scottish ballads in high esteem and our own Ben Franklin adored these songs and considered them the height of great art. TEMP enjoys presenting this repertoire because of its musical challenges and rewards and because of its musical link to another time and place—one that is still vibrantly alive in many ways.

TEMP’s featured singers for the ballads are Jenifer Thyssen, Cayla Cardiff, Jenny Houghton, Jeffrey Jones-Ragona, and David Lopez, as well as frequent guest singers from New York, Peter Walker and Ryland Angel. Peter Walker will also play a variety of evocative Scottish smallpipes and reelpipes, and will join the TEMP “ballad band” for several exhilarating dances. Harpist Therese Honey will perform traditional music from Ireland and will be joined by guest artists Peter Maund (percussion) and TEMP core players Marcus McGuff (flute), Elaine Barber (harp), Bruce Colson & Stephanie Raby (violin), John Walters (mandolin), Scott Horton (lutes and guitar), and Carolyn Hagler (cello).

Join us for an exhilarating / heartbreaking / knee-slapping funny /
bonny sweet concert.
I guess I could’ve just said it has lots of variety!

Click on the image above to      buy tickets now     !

Click on the image above to buy tickets now!

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I'll be thanking you-oo-oo-oo*

Danny Johnson

So, just so you know, we are thankful all year long: thankful that we have audience members, both long-term and newly-found, who come to our playful-yet-virtuosic concerts like the November production of Pimpinone. We are thankful for the chance to present beautiful/humorous/melancholic music like the ‘Complaints’ concert that we performed in Austin last spring and in college Station in late October. We are thankful for the adventurous amateur and semi-pro musicians who joined us at the Texas Toot workshop last summer and this last weekend led by professionals from around the nation.

We are thankful for donors like the Fifth Age of Man Foundation, which will be sponsoring the upcoming Christmas concert (see deets below!), and we are thankful for donors who help to keep us going on a daily basis with contributions from $10 to $10,000!

We hope you all have a lovely, peaceful, heart-warming, multilicious Thanksgiving, and we hope to see you all at our upcoming Early Christmas concerts. We will have our new Christmas cd ready for you, gathered from our 2016 and 2017 Early Christmas concerts. For now, enjoy these audio teasers from our earlier Christmas CDs: Gaudete, Noël, Swete was the Songe, and Stella splendens.

Breaking news! We have a NEW Christmas CD!

Photo credit: Kudos Kitchen by Renée

Photo credit: Kudos Kitchen by Renée

And now, I think I hear a pumpkin pie calling my name…
-Danny

*Curious about the title of this post? Here’s the reference: https://bit.ly/2Q8UvBi


An Early Christmas

Friday, December 7, 2018, at  7:30 pm
St. John's United Methodist, 2140 Allandale Road
Saturday, December 8, 2018, at 
 7:30 pm
First English Lutheran Church, 3001 Whitis Avenue
Sunday, December 9, 2018, 3:00 pm

First Presbyterian Church, 8001 Mesa Drive, Austin, TX

Admission $30 general; $25 seniors (60+); $5 students (at the door only)
Tickets available in advance online or by cash, check, or credit card at the door.

Take advantage of preferred seating and other perks by sponsoring a concert!

For more information, call 512-377-6961 and leave a message,
or email info@early-music.org.

Join Texas Early Music Project for its annual multilicious feast of Christmas music through the ages. With sweet medieval lullabies and joyous English and French carols, magnificent motets from Germany, dulcet Celtic cradle-songs and exuberant folk-tunes, and more, we celebrate this season of expectation and rebirth, along with different cultures encompassing more than 700 years of humanity's hope, love, and joy.  TEMP puts its distinctive stamp on the intangible essence and passion of Christmas with arrangements for solo voices, small chorus, harps, violin, flute, mandolin, viols, and lute.

Brett Barnes, Cayla CardiffJeffrey Jones-RagonaDavid LopezJenny Houghton, and Jenifer Thyssen are featured soloists, and acclaimed harpists Therese Honey and Elaine Barber are featured as special guests.

Join us for a splended and enriching program. With more than 700 years of creativity and beauty, this music is sure to delight your ears and warm your heart.

And you can use our new word: multilicous!

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Click on the image above to buy tickets now!

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Read All of This! School has started!

Danny Johnson

There's gonna be a pop quiz on it all!

 
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August, you are the cruelest month, are you not? On the other hand, we know straight away what you're going to bring us, so maybe that's the wrong adjective. Anyway, during August we performed for the Public Radio Content Conference and brought them some live medieval music to get their day off to a good start—and to celebrate KMFA's Sara Schneider: her Ancient Voices/Early Music Now program has gone national, with several stations broadcasting her excellent program! Congrats, Sara!

And the 20 for 20 Campaign is still percolating along: Thanks for the support!

And now it's finally September! I can almost smell the pumpkin stout, pumpkin soup, pumpkin pancakes...right? Any day now! It's all just around the corner! No more weeks on end of 100°F+, right!?!?!? Cool days, cooler nights, amiright? Please say yes...

Maestro Daniel Johnson explains ensaladas, pieces that are featured on our Alegría: The Spanish Renaissance program. See more videos on our Gallery page!

 

Ok, I might live in dreamlandia, but we'll finally have a concert in a few weeks to kick off the 20th Season Anniversary, and it's one of my favorite themes, topped by the incredible ensaladas by Mateo Flecha. These are little epics,  illustrated with music in many different styles to fit the different texts; Señor Flecha knew what he was doing. La Justa (The Joust) is new to us and maybe to you! It tells the story of a tournament—a joust between good and evil, the light and the dark. You'll have to come to the concert to find out if that means Gandalf vs. Sauron, or Dumbledore vs. He-Who-Must-Not-Be-Named, or maybe some other featured jousters! And there is much alegría throughout the concert!

Enjoy these audio teasers from our 2013 performances:

Voldemort! There. I said it!
-Danny


 
 

Alegría: The Spanish Renaissance

Saturday, September 22, 2018, at  7:30 pm
Redeemer Presbyterian Church, 2111 Alexander Avenue, Austin, TX

Sunday, September 23, 2018, 3:00 pm,
St. Martin's Lutheran Church, 606 West 15th Street, Austin, TX

Admission $30 general; $25 seniors (60+); $5 students (at the door only)
Tickets available in advance online or by cash, check, or credit card at the door.

For more information, call 512-377-6961 and leave a message,
or email info@early-music.org.


Seriously? There are ensaladas on this concert?!?
Usually, if you want an ensalada, you go to a restaurant, not a concert, AMIRIGHT?

Not so fast, my friend! These ensaladas are a treat for the ears and the spirit, but have nothing to do with the delectable edible! Like most salads, they are created from a little of this and little of that, but that’s where the similarity ends. Filled with drama, Biblical quotations, exhortations, lovely melodies, and lots of humor, the ensaladas are toe-tappers from beginning to end! They were extraordinarily popular in many of the Cathedrals of Renaissance Spain—and were even banned in a few!

For a more solemn contrast, our program will explore some of the glorious wealth of polyphonic sacred music from the cathedrals and monasteries of 16th-century Spain, a repertoire that has served as inspiration for fans of choral music everywhere, with selections by Morales, Ceballos, and Peñalosa.

Other pieces in the concert feature the viol consort, led by our guest artist and viola da gamba star Wendy Gillespie, guest percussionist Peter Maund, and 3 sackbut (early trombone) players, led by University of Texas trombone faculty member Nathaniel Brickens.

Soloists and featured singers include Jenifer Thyssen, Gitanjali Mathur, Laura Mercado-Wright, Cayla Cardiff, Jeffrey Jones Ragona, David Lopez, Tim O’Brien, and featured countertenor, Ryland Angel.

¡Bailamos!

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Click on the image above to buy tickets now!

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Pardon me, boy, is this the Santiago de Compostela Station?

Danny Johnson

Santiago de Compostela Train Station; photo by David Esteban

Santiago de Compostela Train Station; photo by David Esteban

Greetings, and many thanks to all who attended our emotion-filled season opener concert, Convivencia Re-Envisioned. The turn-out and the response were both very fulfilling and gratifying. And the response at our little mini-concert at UT was very positive, too; so, again, thanks to the departments who banded together in convivencia to present us.

And—already—we are putting the final touches on the next concert, Medieval Pilgrimage in Iberia, which is just around the bend. As that of our Convivencia concert, the music is still Iberian, but in many different Medieval styles. We, ourselves, will be on a sort of pilgrimage as our Saturday night concert is at a venue that’s new to us! St. John's Episcopal Church is intimate and has lovely acoustics! We think you’ll like it! And then we’re “home” again for the Sunday concert, at First Presbyterian Church. Whether in the new surroundings or in one of our home venues, we think you’ll enjoy this part of our EuroTour!

Learn more about our program below and enjoy the audio teasers!

-Danny

 
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Medieval Pilgrimage in Iberia

 with special guests Mary Springfels (vielle) and Peter Maund (percussion)

8pm, Saturday, October 10, 2015
St. John's Episcopal Church, 11201 Parkfield Drive

3pm, Sunday, October 11, 2015
First Presbyterian Church, 8001 Mesa Drive

Admission $30 general; $25 seniors (60+); $5 students (at the door only)
Tickets available  in advance online or by cash, check, or credit card at the door.

Take advantage of preferred seating
by purchasing Season Tickets through Oct. 11!

For more information, call (512) 377-6961.

A company of eleven female singers explores the music of pilgrimage in Medieval Spain. This music celebrates the richly transparent timbre of treble voices in unison or in polyphonic settings, making the most of sweet consonances and pungent dissonances. Special guests Mary Springfels (vielle) and Peter Maund (percussion) join the ensemble and the TEMP Medieval orchestra of vielles, harps, and gittern. Featured soloists include Jenifer Thyssen, Stephanie Prewitt, Cayla Cardiff, Nina Revering, Erin Calata, and more!

Map showing the pilgrimage routes to Santiago de Compostela.

There was never a more popular time for religious pilgrimage than during the Middle Ages. In those times, people made long and dangerous trips, lasting months or years, in a search for spiritual meaning or fulfillment or as an act of penance. Several of the most important sites of pilgrimage during the Middle Ages were located in what is now northern Spain. 

Llibre Vermell: Stella splendens

The Llibre Vermell (it was discovered in a red binding, and therefore is called the Red Book) comes from the monastery at Montserrat in Catalonia. Some of the music is sophisticated, but some of it was intended to be sung by the pilgrims themselves and included chants, rounds, folk songs, circle dances, and polyphony. We will also perform music from the Cistercian convent in Burgos (Las Huelgas Codex), Las cantigas de Santa Maria from the royal court of Alfonso X, and selections from Codex Calixtinus, from the Cathedral in Santiago de Compostela in Galicia.

Enjoy these two Llibre Vermell audio teasers from our related CDs: Stella splendens and Sacred.

Whether you are focusing on the music with closed eyes or
silently clapping your hands and tapping your feet,
the long-lasting beauty of our Medieval Pilgrimage will delight you.

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When April Showers Come In May . . .

Danny Johnson

Keep 'em Coming!

Photo: Alastair Muir

Photo: Alastair Muir

Just a quick update from us at TEMP Central, now that it’s my least favorite time of the year: the end of the concert season. It was fun to stay in Italy for the whole season—thanks for joining us—but the delights of France, England, Spain, and the Lowlands are begging for our attention next season.

We couldn’t have managed, of course, without our donors. You contributed to the La Pellegrina Indiegogo campaign, our general operating needs, Amplify Austin, and we simply couldn’t exist without you! Thanks so much! Donations are gratefully accepted on our website or by mail at:

Texas Early Music Project
2005 San Gabriel, Suite 204
Austin, TX 78705

We’re already making repertoire and artistic plans for next season’s Postcards from the Past: A TEMP Eurotour. You can see our itinerary on our 2015-2016 Season page. Season subscriptions AND single tickets are on sale now. Season subscriptions represent a 10% savings off regular prices and subscribers get to sit in the preferred seating areas. And new this year: Donors who contribute $500 or more will be able to join the season subscribers in the preferred seating area. We listened!

In the meantime, since I have no laurels upon which to rest, the Summer Toot workshop is coming right up, at breakneck speed, June 7-13, and then it will be time for the Amherst Early Music Festival.

Don’t’ forget about us in the meantime! We’ll see you in September for our multimedia season opener, Convivencia Re-Envisioned: The Three Worlds of Renaissance Spain. Below are some audio teasers of what you can expect to hear. These pieces and more are on our Convivencia CD.

That about does it!

Thanks again! Happy travels, few travails.
-
Danny

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