The sound of one hand clapping for a series of realizations

Ya know, it’s hard to put one past me. I’m very observant. I’ve noticed a few things. Like, not too long ago, I noticed they were playing the World Series. Clue A. And then I noticed that all my clocks were wrong. Clue 2. And then, as I was shivering in my apartment at teatime, I noticed I was having some very good pumpkin spice tea to go along with my pumpkin bread and realized with a premonition-like chill that I was going to have some butternut squash dal and curry for supper and that I was going to wash it down with pumpkin stout. I think those count for Clues 3 and D. Maybe E, too.

“Obviously,” I said assuredly, “it’s my favorite time of the year and that means we must have our annual Christmas/Holiday concert coming up soon.”

So check out the blurb below (after you check out the video and graphics that Allison comes up with to illustrate this) and we’ll see you at the grocery store, standing in line to buy Thanksgiving sustenance, and then we’ll see you at An Early Christmas in December!

Have a Happy Thanksgiving and see you at the concerts in December!
-Danny

P.S.: There is no truth to the rumor that I use pumpkin spice contact lens solutions. That is absurd. The stores have been out of that for months. Maybe next year....

---

An Early Christmas

Saturday, December 10, 2022 at  7:30 pm
&
Sunday, December 11, 2022, 3:00 pm
Redeemer Presbyterian Church, 2111 Alexander Avenue

Hosted by Arts on Alexander on the campus of Redeemer Presbyterian Church, 
2111 Alexander Ave, Austin, TX 78722.
Visit the Arts on Alexander 2022-2023 events on the AoA website.

Admission $35 general; $30 seniors (60+); $5 students with ID
Tickets available in advance online or by cash, check, or credit card at the door.

Take advantage of preferred seating and other perks by buying season tickets!

For more information, call 512-377-6961 and leave a message,
or email info@early-music.org.

Join Texas Early Music Project for its annual multilicious feast of diverse holiday music through the ages. Cultures across the centuries have celebrated this season of expectation and rebirth, and we are contributing our share with medieval chant and joyous carols, magnificent motets, lively Celtic songs, exuberant folk-tunes, and more.

Most of the music for this concert comes from Northern Europe and the British Isles. We’ve chosen pieces from Medieval England and France that glimmer with the transparency of the styles of the period. Renaissance Netherlands, England, and France give us both glorious polyphonic and appealing chordal ambiance. A little Baroque music from France and England will leave us with memorable (and recognizable) tunes. Although several of the pieces were written by the long-lived Anonymous, some composers of note are Praetorius, Scheidt, Sweelinck, and the “newly discovered” Vicente Lusitano, a mixed-race Portuguese composer. Active in the 16th century, Lusitano has been described as the first published Black composer.

In addition to the haunting motet for 5 voices by Lusitano, we have created a “medley” on the popular 14th-century tune Resonet in laudibus (also known as Joseph lieber, Joseph mein), using music by different composers of the German and Polish Renaissance for each verse. This unique, brand-new arrangement is for full choir and our small Renaissance orchestra. It is remarkable to hear how composers who worked in geographic and temporal proximity to each other set the different verses and sections.

As usual, there will be a few pieces composed and arranged in the last few years using some of the styles of Medieval and Baroque repertoire, and we will be presenting a short set of traditional and Sephardic music for the Chanukah celebration.

Tim O’Brien, Joel Nesvadba, Cayla Cardiff, Jeffrey Jones-Ragona, Jenny Houghton, Ryland Angel, Adrienne Pedrotti Bingamon, and Jenifer Thyssen are among the featured soloists, and we are happy to have both acclaimed harpist Therese Honey and kantele virtuoso Viktoria Nizhnik featured in our small orchestra.

Join Texas Early Music Project for a splendid and enriching evening of music. Encompassing 700 years of festive creativity and beauty, this music is sure to delight your ears and warm your heart.
And you can use our new word, multilicious!

Click on the image above to buy tickets now!

Did you enjoy this post? Give us a “like” below, leave a comment, and/or share with friends!

It's beginning to feel a bit like…

…Concert Time!

Overheard at the grocery store:

A (answering cell phone, loudly in speakerphone mode): Hey, I’m at the store, what’s up?
B (yelling into his phone): What do you want to do tonight?
A (also yelling) I dunno. What do you want to do tonight?
B: Well we could see what’s streaming on WhateverFlix.
A: Nah, we’ve done that the last 18 months.
B: Well, ok, whatever you want is fine with me.

Enter person C, friend of A:

C: Hey, A, I was in produce and heard you talking with B. Listen, I don’t know about tonight, but on December 11 or 12, you should go to the TEMP An Early Christmas concert.
B (even louder): Well, cool beans, sounds like a good plan! So, A, where do you want to go for dinner before the concert?
A: I dunno. Where do you want to go for dinner before the concert?
C (walking away sheepishly, muttering to nobody in particular): And take your phone off speaker in the grocery store.

It’s just a thought. Read all about the concert below!
-Danny

P.S.: Hope to see you at the concert! All phones will be silenced.

---

An Early Christmas

Saturday, December 11, 2021, at  7:30 pm
&
Sunday, December 12, 2021, at 3:00 pm
Redeemer Presbyterian Church, 2111 Alexander Avenue

Admission $30 general; $25 seniors (60+); $5 students (at the door only)
Tickets available in advance online or by cash, check, or credit card at the door.

Take advantage of preferred seating and other perks by buying season tickets!

For more information, call 512-377-6961 and leave a message,
or email info@early-music.org.

Join Texas Early Music Project for its annual multilicious feast of diverse Christmas music through the ages. Cultures across the centuries have celebrated this season of expectation and rebirth, and we are contributing our share with medieval chant and joyous carols, magnificent motets, lively Celtic songs, exuberant folk-tunes, and more.

Almost all of the music for this concert comes from Northern Europe and the British Isles. We’ve chosen pieces from Medieval England and France that glimmer with the transparency of the styles of the period. Renaissance Netherlands, England, and France give us both glorious polyphonic and appealing chordal ambiance. A little Baroque music from France and England will leave us with memorable (and recognizable) tunes. Although most of the pieces were written by the long-lived Anonymous, some composers of note are Dufay, Sweelinck, Handl (not Handel), and St. Godric of Victor, who died in 1170. In addition to a few pieces composed in the last few years using some of the styles of Medieval and Baroque repertoire, we will be presenting a short set of music for the Chanukah celebration!

Encompassing more than 700 years of humanity’s hope, love, and joy, TEMP puts its distinctive stamp on the intangible essence and passion of Christmas, with arrangements for solo voices, small chorus, harp, violin, mandolin, viols, lute, and Karelian chromatic kantele.

Tim O’Brien, Cayla Cardiff, Jeffrey Jones-Ragona, David Lopez, Jenny Houghton, Ryland Angel, Meredith Ruduski, and Jenifer Thyssen are featured soloists, and we are happy to have both acclaimed harpist Therese Honey and kantele virtuoso Viktoria Nizhnik featured in our small orchestra.

Join Texas Early Music Project for a splendid and enriching evening of music. Encompassing 700 years of festive creativity and beauty, this music is sure to delight your ears and warm your heart. And you can use our new word, multilicious!

Hosted by Arts on Alexander on the campus of Redeemer Presbyterian Church, 2111 Alexander Ave,
Austin, TX 78722

---

COVID PROTOCOLS

TEMP will be adhering to all State and City regulations, as well as guidelines from the CDC concerning masking and social distancing, as well as the requirements of our venue. We urge you to buy your tickets in advance, as the audience size will be limited so that the audience can be safely distanced. The audience is strongly requested to be masked at all times; we will have masks available for your use as well. Please feel welcome to contact us with questions or concerns.

Join us as we are gaderen: gathering again!

Click on the image above to buy tickets now!

Did you enjoy this post? Give us a “like” below, leave a comment, and/or share with friends!

December needs another week!

So that we can all go to all the concerts we want to go to, perform in all the concerts we want to / need to, and still have a little time for, oh, I don’t know, maybe shopping/eating/visiting and the occasional nap! I know I’ve seen this idea proposed on other forums but no one seems to do anything about it. C’mon! Someone do something!

Because, as it turns out, we have our very own Christmas concert(s). NEXT WEEK. Three days in a row. So I’m too busy and having too much fun to start the 5-week-December campaign.

An Early Christmas is, by all accounts, one of our favorite concerts, because we cover so much territory, historically speaking, that we change the parameters of what early music is and even what Christmas music can be, and yet still tug at the heartstrings. So join us next week. And then, maybe after the New Year, get into gear with the 5-week-December campaign.

Read the full program description and listen to audio teasers below. 

See ya! It’s multilicious!
-Danny

Tickets for Saturday and Sunday's concerts are selling fast. Guarantee your seat by purchasing your tickets in advance. There is still plenty of room on Friday!

---

AN EARLY CHRISTMAS

Friday, December 13, 2019, at  7:30 pm
St. John's United Methodist, 2140 Allandale Road
Saturday, December 14, 2019, at  7:30 pm
First English Lutheran Church, 3001 Whitis Avenue
Sunday, December 15, 2019, 3:00 pm
St. Matthew’s Episcopal Church, 8134 Mesa Drive

Admission $30 general; $25 seniors (60+); $5 students (at the door only)
Tickets available in advance online or by cash, check, or credit card at the door.

Take advantage of preferred seating and other perks by sponsoring a concert!

For more information, call 512-377-6961 and leave a message,
or email info@early-music.org.

Join Texas Early Music Project for its annual multilicious feast of Christmas music through the ages. Different cultures across the centuries have celebrated this season of expectation and rebirth, and we are contributing our share with medieval chant and joyous English and French carols, magnificent motets for 8 parts from Italy and France, and lively Celtic songs, dulcet Dutch carols, exuberant folk-tunes, and more.

Enjoy these audio teasers from our most recent CD, In dulci jubilo: Early Music of the Season:

Enjoy more selections from Gaudete: An Early Christmas, Swete was the Songe, Noël: An Early Christmas and Stella splendens: An Early Music Christmas.

Brett Barnes, Cayla Cardiff, Jeffrey Jones-Ragona, David Lopez, Jenny Houghton, Gil Zilkha, and Jenifer Thyssen are featured soloists, and acclaimed harpist Therese Honey, countertenor Ryland Angel, and Karelian chromatic kantele player Viktoria Nizhnik are featured as special guests.

Join Texas Early Music Project for a splendid and enriching evening of music. Encompassing 700 years of festive creativity and beauty, this music is sure to delight your ears and warm your heart. And you can use our new word, multilicious!

Click on the image above to buy tickets now!

Did you enjoy this post? Give us a “like” below, leave a comment, and/or share with friends!

I'll be thanking you-oo-oo-oo*

So, just so you know, we are thankful all year long: thankful that we have audience members, both long-term and newly-found, who come to our playful-yet-virtuosic concerts like the November production of Pimpinone. We are thankful for the chance to present beautiful/humorous/melancholic music like the ‘Complaints’ concert that we performed in Austin last spring and in college Station in late October. We are thankful for the adventurous amateur and semi-pro musicians who joined us at the Texas Toot workshop last summer and this last weekend led by professionals from around the nation.

We are thankful for donors like the Fifth Age of Man Foundation, which will be sponsoring the upcoming Christmas concert (see deets below!), and we are thankful for donors who help to keep us going on a daily basis with contributions from $10 to $10,000!

We hope you all have a lovely, peaceful, heart-warming, multilicious Thanksgiving, and we hope to see you all at our upcoming Early Christmas concerts. We will have our new Christmas cd ready for you, gathered from our 2016 and 2017 Early Christmas concerts. For now, enjoy these audio teasers from our earlier Christmas CDs: Gaudete, Noël, Swete was the Songe, and Stella splendens.

Breaking news! We have a NEW Christmas CD!

Learn more —>

Photo credit: Kudos Kitchen by Renée

And now, I think I hear a pumpkin pie calling my name…
-Danny

*Curious about the title of this post? Here’s the reference: https://bit.ly/2Q8UvBi

---

An Early Christmas

Friday, December 7, 2018, at  7:30 pm
St. John's United Methodist, 2140 Allandale Road
Saturday, December 8, 2018, at  7:30 pm
First English Lutheran Church, 3001 Whitis Avenue
Sunday, December 9, 2018, 3:00 pm
First Presbyterian Church, 8001 Mesa Drive, Austin, TX

Admission $30 general; $25 seniors (60+); $5 students (at the door only)
Tickets available in advance online or by cash, check, or credit card at the door.

Take advantage of preferred seating and other perks by sponsoring a concert!

For more information, call 512-377-6961 and leave a message,
or email info@early-music.org.

Join Texas Early Music Project for its annual multilicious feast of Christmas music through the ages. With sweet medieval lullabies and joyous English and French carols, magnificent motets from Germany, dulcet Celtic cradle-songs and exuberant folk-tunes, and more, we celebrate this season of expectation and rebirth, along with different cultures encompassing more than 700 years of humanity's hope, love, and joy.  TEMP puts its distinctive stamp on the intangible essence and passion of Christmas with arrangements for solo voices, small chorus, harps, violin, flute, mandolin, viols, and lute.

Brett Barnes, Cayla Cardiff, Jeffrey Jones-Ragona, David Lopez, Jenny Houghton, and Jenifer Thyssen are featured soloists, and acclaimed harpists Therese Honey and Elaine Barber are featured as special guests.

Join us for a splended and enriching program. With more than 700 years of creativity and beauty, this music is sure to delight your ears and warm your heart.

And you can use our new word: multilicous!

Click on the image above to buy tickets now!

The post-Thanksgiving, post-Blagh Fridaegh blog

Yes, I indeed missed my opportunity to write a blog last Friday and call it Blog Friday, but it just couldn't be helped. Here we go, though: The Early Christmas concert is just less than two weeks away. Say that slooooowly and try to avoid hyperventilating. It hasn't worked for me; maybe it will for you. 

Our Christmas concerts offer a multiplicity of delicious music from diverse styles from diverse traditions and diverse musical eras. The upcoming one (in just less than two weeks away—did I mention that?) stays in that mold with some new elements and some that we haven't performed in so long, they seem like they're new! In honor of all this diversity of style, etc., we're using a new word to describe the concert: Multilicious! Feel free to use it. Give us credit.

Read the full program description and listen to audio teasers below. 

We hope to see you at one of our multilicious Early Christmas concerts! Buy tickets now because they often sell out! 

-Danny

An Early Christmas

7:00 pm, Friday, December 8, 2017
First English Lutheran Church, 3001 Whitis Ave., Austin, TX

 7:00 pm, Saturday, December 9, 2017
First English Lutheran Church, 3001 Whitis Ave., Austin, TX

3:00 pm, Sunday, December 10, 2017
First Presbyterian Church, 8001 Mesa Drive, Austin, TX

Admission $30 general; $25 seniors (60+); $5 students (at the door only)
Tickets available in advance online or by cash, check, or credit card at the door.

For more information, call 512-377-6961 and leave a message,
or email info@early-music.org.

Join Texas Early Music Project for a multilicious feast of Christmas music through the ages. People in different cultures across the centuries have celebrated this season of expectation and rebirth with sweet Dutch lullabies and joyous English carols, rousing Spanish villancicos and dulcet French noëls, Celtic cradle-songs and exuberant folk-tunes.

We’ve chosen pieces ranging from Medieval Spain and England to Baroque France and Germany and beyond, encompassing more than 500 years of humanity’s hope, love, and joy. TEMP puts its distinctive stamp on the intangible essence and passion of Christmas, with arrangements for solo voices, small chorus, harp, violin, flute, mandolin, viols, and lute.

Enjoy these audio teasers from our CDs Gaudete: An Early Christmas and Swete was the Songe:

Enjoy more selections from Noël: An Early Christmas and Stella splendens: An Early Music Christmas.

Brett Barnes, Cayla Cardiff, Jeffrey Jones-Ragona, Stephanie Prewitt, Meredith Ruduski, and Jenifer Thyssen are featured soloists, and nationally acclaimed historical harpist Therese Honey joins TEMP's troupe of solo voices, small chorus, violin, flute, mandolin, viols, and lute.

Join Texas Early Music Project for a splendid and enriching evening of music. Encompassing 500 years of festive creativity and beauty, this music is sure to delight your ears and warm your heart. And you can use our new word, multilicious!

Click on the image above to buy tickets now!

The *Less-Early* Early Christmas from TEMP

Tune in to KMFA 89.5 FM on Thurs. 12-15-16 at 6pm!

I always feel big pangs of nostalgia when our Christmas concerts end; we have so much to accomplish in so few days, it's very bonding (in the good way, not the oh-my-gosh-the-zombies-are-here way) and we're always sad when it's over.

Sara Schneider, host of Ancient Voices, KMFA 89.5 FM

Except that we all have so many other gigs'o'the season, we can't linger in that sentimental feeling. And these last few days I've stayed right in the concert mode by working with KMFA to present a one hour version of the concert for their Listen Local series. (Yes, 12 minutes of wonderful music had to be left behind due to time constraints.) So if you didn't get to come to the concerts or if you would just like to revisit them, then listen this Thursday, December 15, at 6pm to 89.5 FM or catch it on the interwebs at www.kmfa.org. Sara Schneider will be your M.C. for the program, so you know she'll have the best hits lined up!

Download the TEMP An Early Christmas program notes to follow along while listening!

Joyeux Noël!
-Danny

Join us for our next concert, Feb. 18 & 19, 2017!

Today is the first day...

of TEMP's "Year of Christmas," in which we we have a different blog post daily about some aspect of Christmas/music/life through December 25, 2017. Yes, a whole year of musical jokes and little-known-facts along with suitable graphics and musical links. Hold on, my phone is ringing. In the meantime, try to come up with suitable lyrics for the 316th day of Christmas—I'm kind of stuck on that one . . .

Hmmm—according to our webscribe and also our graphics guy, there will, in fact, "not" be a year of Christmas with a daily blog/graphics/jokes/links! And they ’splained it to me real well why, in fact, there will not be a year of Christmas with a daily blog/graphics jokes/links.

So, maybe the best thing is just for us all to treat the rest of the year like we do the Christmas season: Be kind and thoughtful and helpful and loving. And go to lots of TEMP concerts! 

On the 388th day of Christmas, my true love gave to me . . . 

-Danny

An Early Christmas

Friday, December 9, 2016 at 8PM
First English Lutheran Church, 3001 Whitis Avenue

Saturday December 10, 2016 at 8PM
First English Lutheran Church, 3001 Whitis Avenue

Sunday, December 11, 2016 at 3PM
First Presbyterian Church, 8001 Mesa Drive

Admission $30 general; $25 seniors (60+); $5 students (at the door only)
Tickets available in advance online or by cash, check, or credit card at the door.

For more information, call 512-377-6961 and leave a message,
or email info@early-music.org.

It’s time for another Early Christmas! We explore music and the intangible essence of Christmas from the cultural capitals of Europe from the 13th through 18th centuries. TEMP puts its unique stamp on joyful carols and lullabies from Western Europe and the British Isles, with arrangements for solo voices, small chorus, harp, violin, flute, mandolin, viols, and lute.

The familiar theme of the Nativity from the shepherds’ perspective figures prominently in most early music Christmas repertoire, as does the motif of Mother and Child. We present several works with this focus, including our original arrangement of two Nativity pastorals from 1684 by Marc-Antoine Charpentier and the choral masterpiece for 8 parts, Nesciens mater, by French composer Jean Mouton.

There are lively works from Spain, thoughtful, pensive works from France, and of course, a little taste of Celtic and English influences! Our popular versions of the Carol for St. Stephen’s Day and Gaudete! are featured this year, as well as other Celtic favorites.

Nationally acclaimed historical harpist Therese Honey joins TEMP's troupe of soloists, choir and chamber orchestra.

Enjoy this audio teaser from our CD Noël: An Early Christmas:

Enjoy more audio samples from our other Christmas CDs: Stella splendens and Swete was the Songe.

Join Texas Early Music Project for a splendid and enriching evening of music. Encompassing six hundred years of festive creativity and beauty, this music is sure to delight your ears and warm your heart.

On the 12th Day of Christmas: Parting is such sweet sorrow; time for hot chocolate!

A Loth to depart was the common term for a song sung, or a tune played, on taking leave of friends in Elizabethan times. The popular tune, of unknown origin, was treated to a number of settings, both vocal and instrumental, and the tune and text were referred to in a number of plays in the 17th century. In modern times, the New York-based early music group Ex Umbris sang an arrangement of Loath to depart by Grant Herreid at the end of their performances. Our friend and colleague Tom Zajac was a co-founder of Ex Umbris; about thirty musicians and two hundred congregants sang and played Loath to depart for Tom at his memorial service in New York City, November 6, 2015. We are including Loath to depart near the end of the concert as a tribute to Tom and also as a reminder that we love the Christmas concert and are loath that it's coming to a close!

c. 1600 Cambridge University MS Dd.2.11 fol 9 (lute tab).

Sing with thy mouth, sing with thy heart,
Like faithful friends, sing Loath to depart;
Though friends together may not always remain,
Yet Loath to depart sing once again.

And, I’m loath to say, we are the end of our 12 Days of Christmas factoid per day thing; it has been fun. We think you’ll enjoy the concerts even more, of course.

Please join us at An Early Christmas. www.early-music.org

Click to buy tickets to our Christmas concerts on Dec. 11, 12, & 13!

On the 11th Day of Early Christmas: A Favorite Through the Centuries

And here we are: It’s time to talk about the Lady Greensleeves, beloved cousin to the beloved Mr. Green Jeans, from “Captain Kangaroo.” They made popular the immortal hit, It’s not easy being green. Raise your hands if you believe this.

View fullsize

View fullsize

View fullsize

The earliest source of the song we know as Greensleeves was a broadside ballad by Richard Jones in 1580; several more versions appeared shortly, with variants of title and text. There are references to the song in Shakespeare’s The Merry Wives of Windsor and, by the end of the 17th century, the song had developed many variants in melody, harmony, and meter in versions by William Cobbold, John Playford, and others. Of course, the popular version for Christmas is What Child is This with lyrics by William Dix written around 1865. Our version is based around the mid-17th century version, The old yeare now away is fled and variations by Playford and Cobbold. Here is a excerpt of the song from our CD Stella splenends: An Early Music Christmas:

There are modern versions/variations by performers as varied as Jacques Brel, Leonard Cohen, Elvis Presley, Alvin and the Chipmunks, and…well, lots more.

An Early Christmas in 2 days. In Austin.
Alas, my love: Be there!

Click to buy tickets for our Christmas concerts on Dec. 11, 12, & 13!

On the Tenth Day of Early Christmas We Went to Ireland Again. A Little.

This has become one of the most popular of the pieces we do an a regular basis; we haven’t done it since 2013 so here it comes again with slightly newly arranged parts…

It is known as The Enniscorthy Christmas Carol to much of the world except that when it was first printed in the Oxford Book of Carols in 1928 it was called The Wexford Carol. Things get really confusing in the world of traditional / aurally transmitted music sometimes. (Shhh. It might also be that the text is of English origin; I think I would be careful where I spread such rumors, though.) The melody is indeed of traditional Irish origin and is probably not very old: mid-19th century, maybe? Our arrangement goes through stages: from quietly meditative to a sort of early 19th century string quartet / or trio with voice style  to a reel with harp, flute, mandolin, violin, continuo, and voice. Really fun.

But the real reason we’re talking about this today is that I first arranged it in 2010 for Cayla Cardiff to sing and, man, does she ever sing the ifreann out of it! Here's a teaser audio from our CD Swete was the Songe:

As coincidence would have it, today is Cayla's birthday! Wish her  Lá breithe shona duit and come hear her sing!

In 3 more days. TEMP: An Early Christmas.

Click to buy tickets to our Christmas concerts on Dec. 11, 12, & 13!

On the 9th Day of Early Christmas my Director Gave to Meee: A Weather Forecast?

All hail to the days that merit more praise
Than all the rest of the year…

Loreena McKennitt sings it; and it’s on virtually every Anglophile Christmas or Solstice or Winter-related recording. I know of no reason we shouldn’t do it also! This traditional tune, first known as When Phoebus did rest, was set and arranged by John Playford for his country dance primer, The English Dancing Master, in 1651. Related versions of it are also found in the Samuel Pepys collection of broadsides under the title A pleasant Countrey new ditty: Merrily shewing how To drive the cold winter away and a version is also found in d'Urfey's multi-volume set Wit and Mirth, or Pills to Purge Melancholy. It remains one of the more popular English ballads in its several incarnations.

December is seene apparel’d in greene
And January, fresh as May…

Considering where we live, I for one am not so eager to drive the cold winter away, though I don’t have to deal with 6-foot snow-storms, either. At any rate, it’s a great song, David Lopez sounds wonderful in his solo verse (listen to the audio teaser below!), the choral parts are fresh, playful, and a little innovative, and evocative visions of hot chocolate and hot cider and maybe a hot toddy or two prevail!

The old and young doth carol this song,
To drive the cold winter away.

This song is also available on our CD Swete was the Songe: An Early Music Christmas in Northern Europe and the British Isles.

Drive the Cold Winter Away, just not too quickly, ok?

TEMP: An Early Christmas. In 4 Days.

It’s still early in the week, but the Friday forecast is 79F. In Austin. We must have some cold winter before we can drive it away, no? 

Click to buy tickets for our Christmas concerts on Dec. 11, 12, & 13!

On the 8th Day of Early Christmas I Was Wondering Where This 12 Day Thing Started!

Seriously. When did this start? Was it the original Black Friday, but a more sophisticated 12 days than 28 - 29 or so? They (“they” being the interwebs) say it might be a derivative of a French folk song—name & date unknown—but The Twelve Days of Christmas was published in London around 1780 in a children's book, Mirth without Mischief. There have been several versions through the centuries, but the version we are used to is the 1909 arrangement by English composer Frederic Austin, which has had a few variations, too. Like most counting songs, this one gets more difficult to keep track of, especially if you’re partying hardy. No, TEMP is not performing this on a Christmas concert. I just thought that we should get to the bottom of this burning question. 

Those of a certain age surely remember Alvin and the Chipmunks version. I know, I'm sorry I brought it up. 

Merry Christmas everyone. I thought I would do one of my favourite Christmas songs this time around. I hope you all enjoy it and have a safe Christmas. The Chipmunks Owned By: Bagdasarian Productions.

Tomorrow. More.

TEMP: An Early Christmas in 5 Days. Be wise, guys:
get your 8 tix in advance at early-music.org and
be sure to buy 9 TEMP cds at the concerts.
That’s it, I’m out of numbers. 

Click to buy tickets for our Christmas concerts on Dec. 11, 12, & 13!

On the Sixth Day of Early Christmas We Didn’t Forget (Totally) to Talk about Music from the Lowlands!

Yes, I know, at the end of the 4th day we said that on the 5th day we would talk about music from the Lowlands that was related to the German music of the 4th day. I put it off for a day because I really wanted to talk about smelly, odiferous odors on the 5th day. But here we are.

The last few years, we’ve introduced several pieces by the Flemish composer Messaus and we’ve revived our famous Dutch carol. This year, we have but one piece from the Lowlands, a virtuosic choral work by Amsterdam composer Jan Pieterszoon Sweelinck, 1562-1621. He was known as the Orpheus of Amsterdam and he had a couple of other colorful nicknames as well. He was famous primarily as an organist, but he also excelled on the carillon and the harpsichord, and his improvisational skills were legendary. He was internationally renowned as a teacher of organists and was known as the “maker of organists.” He was especially important to German organists and was the teacher of virtually every important organist in the north German organ school of the 17th century, including Jacob Praetorius II, who was the son of Hieronymous Praetorius, one of the composers of our In dulci jubilo suite, the subject of the 4th day’s ramblings. And so it goes.

 There will be plenty of Dutch music in our April concert, Dutch Treat! Vasthouden! Je kunt het! Vrolijk kerstfeest!

An Early Christmas in 7 days.

Click to buy tickets for our Christmas concerts on Dec 11, 12, & 13!

On the Second Day of Early Christmas I gave myself a present!

Day #2 of TEMP's 12 Days of Christmas

I’m a big fan of nostalgia. I think it’s good any old time of the year, not just at Christmas time, Halloween, or Super Bowl Sunday! So when I was researching “new” music for this year’s Early Christmas concerts, I found myself thinking back to the mid-eighties (see photo) when a lot of my core early music interests really galvanized. Yes, I know, I was still in grade school, but still….

Anyway, I had never been a fan of the French Baroque; it seemed so snooty and high-falutin’—and then in ’83 or ’84, I heard William Christie’s group Les Arts Florissants and their recording of Charpentier’s Christmas Pastorale and I thought that it was so un-snooty and really entrancing that I should—gasp—consider changing my mind. And then I got to work with Mr. Christie in England in 1985 and he brought two of his singers to the workshop for an intimate concert; the baritone was great but the soprano, Agnès Mellon, reduced a roomful of Brits and Americans to tears in a matter of seconds. No, the song wasn’t a noël; it was a very gentle, non-assuming air de cour by Michel Lambert. (Yes, students of mine, it was that air de cour.) I realized that her singing on the Pastorale album (and subsequent albums as well) played a large part in changing my mind about the French Baroque, as did William Christie. Enjoy this teaser video! https://www.youtube.com/watch?v=PNfF9UmRqfI

Back to the present: So I gave myself the gift of scheduling excerpts from the Pastorale for this year’s Xmas concert. And, in a way, it’s my gift to you, this gift of about 7 minutes of joyous, high-falutin’ but very un-snooty and very beautiful French Baroque music for Christmas, with chorus & orchestra & with solos by Jenifer Thyssen and Meredith Ruduski. (And thank you, Agnès Mellon, wherever you are! Your Atys rocked my world.)

Joyeux Noël, y'all!
-Danny

Join us for An Early Christmas In 11 days!

Click to buy tickets for our Christmas concerts on Dec. 11, 12, & 13!

Here we go - the 42 days of Christmas! Wait - is that right?

There are only 12 days leading up to the first TEMP Christmas concert, and we at TEMP would like to give you our version of the 12 Days of Christmas! Each day, we will present you with an interesting fact, tidbit, or fun story about Early Music. Here we go! 
On the First Day of Early Christmas...

Today's treat, for the 1st Day of Christmas!

Today is Stephanie Prewitt’s birthday! Remember how many times you’ve heard her sing over the last 3.5 decades (and you always want to hear more!) with Texas Early Music Project, La Follia Austin Baroque, New Texas Music Works (later known as Conspirare), the St. Mary Cathedral Schola Cantorum, and many, many other local groups. And then there’s the festivals and ensembles around the globe that have profited from Stephanie’s talents! We are so lucky to have her with us! Maybe a wee blessing for every time she’s brought a little tear to your eye or a rush of thanks to your heart … I know what color she likes, so ask me! For this year’s Christmas concert, her solos include our revival of the Scottish lullaby Balooloo, my lammie and a trio with Meredith & Brett in the Buxtehude section of the In dulci jubilo suite. Here's an excerpt of Stephanie singing Balooloo, my lammie from our CD Stella Splendens: An Early Music Christmas.

Join us for An Early Christmas In 11 days!

More tomorrow!
-Danny

Click to buy tickets for our Christmas concerts on Dec. 11, 12, and 13!

Saint Nick & the Reindeer Games

A shout out to shoeboxblog.com for the reindeer humor!

I am actually happy Meredith didn't ask me what my favorite reindeer games were. (See Meredith's TEMP Holiday Interview!) I've kept it a secret all my life. But since you're wondering now, I'll tell ya: Cupid & Casper skydiving from Santa's sled at 35,000 feet and playing havoc with Norad / UFO watchers all over the world! Donner, Dancer, and Sneezy playing sky frisbee with errant toy drones and making goofy faces at the cameras all the while! Rudolph and Snoopy sneaking into the movies on Christmas Day for a much deserved day off. 

Ok, that's all I got. Now everyone knows. But seriously, check out Meredith's interviews with Scott, Therese, and Jenny and check out the concert listing below! We hope to see you there!

-Danny

An Early Christmas

8pm, Friday, December 11, 2015
First English Lutheran Church, 3001 Whitis Ave., Austin, TX

 8pm, Saturday, December 12, 2015
First English Lutheran Church, 3001 Whitis Ave., Austin, TX 

3pm, Sunday, December 13, 2015
First Presbyterian Church, 8001 Mesa Drive, Austin, TX

Admission $30 general; $25 seniors (60+); $5 students (at the door only)
Tickets available in advance online or by cash, check, or credit card at the door.

For more information, call 512-377-6961 and leave a message, or email info@early-music.org.

It’s time for another Early Christmas! The TEMP Eurotour continues as we explore music and the intangible essence of Christmas from the cultural capitals of Europe from the 13th through 18th centuries. TEMP puts its unique stamp on joyful chants, carols, lullabies, motets, and ballads from Western Europe and the British Isles, where many of the musical traditions we hold dear at Christmastime originated, with innovative arrangements for solo voices, small chorus, harp, violin, flute, mandolin, viols, and lute.

The familiar theme of the Nativity from the shepherds’ perspective, including their wondrous and terrifying experience with the angelic host and their subsequent gathering around the manger to adore the Christ-Child, figures prominently in most early music Christmas repertoire. We will present several works with this focus, including our original arrangement combining elements of two Nativity pastorals from 1684 by Marc-Antoine Charpentier with soloists (Jenifer Thyssen & Meredith Ruduski) and choir with orchestra. Charpentier had a particular ease and love of this repertoire and the results are ravishingly beautiful. 

The theme of the Mother and Child is especially poignant, of course; among the Medieval pieces on the concert, one popular gem is Lullay, lullay: Als I lay on Yoolis night. Its transparent texture and gentle pacing makes the conversation between Mother Mary and the Christ-Child extremely touching, heightened by the polyphony of the choir of angels witnessing the event. Listen to this excerpt from the CD Noël: An Early Christmas:

The popular tune In dulci jubilo, which has origins in the 14th century, went through many variations and revisions in the next 300 years before it became the modern carol Good Christian men, rejoice. We will present a seamless suite with settings by the German composers Michael Praetorius, Hieronymous Praetorius, and Dieterich Buxtehude for 2, 3, 4, & 8 parts. Listen to this excerpt from the CD Swete was the Songe: An Early Music Christmas in Northern Europe & the British Isles:

Motets by Sweelinck and Victoria, and lively works from Spain and France round out our Eurotour before we turn our sights to the west: Our Christmas concerts are never complete without a little taste of Celtic and English influences! Our popular versions of the Christ-Child Lullaby (with its Scots Gaelic solo by Jenifer Thyssen and audience participation) and The Wexford Carol (Cayla Cardiff, soloist) and more are in the program this year, as well as other favorites from the Celtic traditions, including a few sung by the popular Irish Gaelic singer Abby Green. We are again proud to feature nationally acclaimed historical harpist Therese Honey along with featured soloists Jenifer Thyssen, Stephanie Prewitt, Meredith Ruduski, Jenny Houghton, Cayla Cardiff, David Lopez, Brett Barnes, and Daniel Johnson. Our instrumental soloists include Bruce Colson (violin), John Walters and Jane Leggiero (viols), Marcus McGuff (flute), Susan Richter (recorders), and Scott Horton (lutes). 

 Join Texas Early Music Project for a splendid and enriching evening of music.
Encompassing six hundred years of festive creativity and beauty, this music is
sure to delight your ears and warm your heart.

On the road againnnn, from Compostela to College Stationnnnn

And I'm glad we aren't on the road *this* weekend! Really? The strongest storm in history in the Western Hemisphere? Yikes! I hope it doesn't live up to its description ... At any rate, even though we're still dealing with earworms from the Medieval Pilgrimage concert, we are preparing for our annual (since 2010) pilgrimage to St. Thomas Episcopal Church in College Station to present a shorter version of September's popular concert, Convivencia Re-Envisioned: The Three Worlds of Renaissance Spain. If you're in the vicinity and want to re-visit the concert or if you missed it the first time around, then check out the info below and come see us!  Or you could recommend it to your friends in College Station and environs.... News about the Christmas concert is coming up ... 

–Danny

Convivencia Re-Envisioned: The Three Worlds of Renaissance Spain

Sunday, November 8, 2015, 6:30 p.m.

St. Thomas Episcopal Church
906 George Bush Drive, College Station

Please join us for a concert that explores and celebrates the musical relationships among the three great cultures—Muslim, Jewish, and Christian—that co-existed peacefully on the Iberian Peninsula during the Middle Ages and early Renaissance. Islamic Spain during these times was an extraordinarily tolerant culture in which learning was prized. In the library of the caliph of Cordoba were at least 40,000 books; most Western monasteries were fortunate to have 400, or even 40! Many works on mathematics, astronomy, physics, and medicine had been translated from Greek, Persian and Hindu sources into Arabic, and these books were, during this time, being translated from Arabic into Latin through the combined efforts of Muslim, Jewish, and Christian scholars. Co-operation, Tolerance, Co-existence, Mutual Respect: These were the hallmarks of this extraordinary time. This year marks the fourteenth anniversary of the terrorist attacks on the United States, and since that time we have experienced the brutality of the Islamic State, the horrors of the civil war in Syria, and, in our own country, Ferguson, Baltimore, Charleston, and more. The need for true Convivencia is greater than ever; these are qualities much needed in our own day.

This concert will feature Sephardic and Middle-Eastern songs and dances, along with 16th-century Spanish polyphony for voices and instruments, focusing on the intersecting issues of life among these three cultures: Love, dance, food and drink, dreams, secrets and prayers. Featured performers include santur and oud player Kamran Hooshmand (Iran), harpist Therese Honey (Houston), outstanding instrumentalists on psaltery, viols, Renaissance guitar, and other instruments of the period, and outstanding singers. The award-winning Texas Early Music Project is under the direction of Founder and Artistic Director Daniel Johnson. The concert will be followed by a Reception in the Parish Hall.

This concert is supported in part by generous grants from the Gilbert and Thyra Plass Arts Foundation and the Joe and Florence Ham Charitable Trust.

Tickets $10/$5 students, at the Door

For more information, please contact Bonnie Harris-Reynolds, Organist & Music Director, St. Thomas Episcopal Church

St. Thomas: music@stthomasbcs.org
Phone: (979) 696-1726 or (979) 696-0452

Earworm / ver de l'épi / Oorwurm / Ohrwurm

© Bob Eckstein, The New Yorker, 6/1/15

Still recovering from the exciting Medieval Pilgrimage concert (by which I mean finishing up my taxes, researching/working on music for the Christmas and Opera concerts and preparations for the upcoming Fall Texas Toot and the TEMP road trip to College Station on November 8 for a short version of September's Convivencia concert) and still having constant, but pleasant, earworms from last weekend's concert. Last night's earworm was the sinuous, interweaving melisma that Cayla and Erin sang at the end of each of the phrases of their duet. Today's is the refrain (again) from Los set goyts and the traded motifs from the duet that Nina and Jenny sang. I'm not complaining, mind you . . . I love it! I hope that you had similarly pleasing earworms!

Thanks to our special guests, our core and quasi-newbie singers and the band—and also to the audience who came to our new venue at St John's Episcopal and the audience who came to one of our "homes" (I think that pretty much covers everyone, right?) and especially our CD winner, Michael Praetorius. He's looking pretty good at almost 400. (You had to be there...)

Thanks to Robert Faires for his kind words (see the hard-copy version of the Austin Chronicle from the ides of October) and special thanks to the next Ohrwurm, whatever it might be...
And thanks for the oncoming Fall, which means that pumpkin *everything* can't be far behind!

View fullsize

by Robert Faires, Austin Chronicle, 10/16/15

We hope to see you at An Early Christmas, Dec. 11, 12, or 13!  Click on the image below for tickets or visit our Single Tickets page. 

-Danny