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Texas Early Music Project
13915 Burnet Road, Suite 402 
Austin, TX 78728
(512) 377-6961

For ticket and concert venue inquiries, email the Box Office

TEMP is a performing ensemble and not a presenting organization or an agency. Please do not contact TEMP about hosting other early music groups.
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13915 Burnet Road, Suite 402
Austin, TX 78728
United States

(512) 377-6961

Founded in 1987 by Daniel Johnson, the Texas Early Music Project is dedicated to preserving and advancing the art of Medieval, Renaissance, Baroque, and early Classical music through performance, recordings, and educational outreach. 

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Blog

Explore more than 700 years of musical transformation

Filtering by Tag: Therese Honey

Today is the first day...

Danny Johnson

 
 

of TEMP's "Year of Christmas," in which we we have a different blog post daily about some aspect of Christmas/music/life through December 25, 2017. Yes, a whole year of musical jokes and little-known-facts along with suitable graphics and musical links. Hold on, my phone is ringing. In the meantime, try to come up with suitable lyrics for the 316th day of Christmas—I'm kind of stuck on that one . . .

Hmmm—according to our webscribe and also our graphics guy, there will, in fact, "not" be a year of Christmas with a daily blog/graphics/jokes/links! And they ’splained it to me real well why, in fact, there will not be a year of Christmas with a daily blog/graphics jokes/links.

So, maybe the best thing is just for us all to treat the rest of the year like we do the Christmas season: Be kind and thoughtful and helpful and loving. And go to lots of TEMP concerts! 

 

 

On the 388th day of Christmas, my true love gave to me . . . 

-Danny

 
 

An Early Christmas

Friday, December 9, 2016 at 8PM
First English Lutheran Church, 3001 Whitis Avenue

Saturday December 10, 2016 at 8PM
First English Lutheran Church, 3001 Whitis Avenue

Sunday, December 11, 2016 at 3PM
First Presbyterian Church, 8001 Mesa Drive

Admission $30 general; $25 seniors (60+); $5 students (at the door only)
Tickets available in advance online or by cash, check, or credit card at the door.

For more information, call 512-377-6961 and leave a message,
or email info@early-music.org.

It’s time for another Early Christmas! We explore music and the intangible essence of Christmas from the cultural capitals of Europe from the 13th through 18th centuries. TEMP puts its unique stamp on joyful carols and lullabies from Western Europe and the British Isles, with arrangements for solo voices, small chorus, harp, violin, flute, mandolin, viols, and lute.

The familiar theme of the Nativity from the shepherds’ perspective figures prominently in most early music Christmas repertoire, as does the motif of Mother and Child. We present several works with this focus, including our original arrangement of two Nativity pastorals from 1684 by Marc-Antoine Charpentier and the choral masterpiece for 8 parts, Nesciens mater, by French composer Jean Mouton.

There are lively works from Spain, thoughtful, pensive works from France, and of course, a little taste of Celtic and English influences! Our popular versions of the Carol for St. Stephen’s Day and Gaudete! are featured this year, as well as other Celtic favorites.

Nationally acclaimed historical harpist Therese Honey joins TEMP's troupe of soloists, choir and chamber orchestra.

Enjoy this audio teaser from our CD Noël: An Early Christmas:

Enjoy more audio samples from our other Christmas CDs: Stella splendens and Swete was the Songe.

Join Texas Early Music Project for a splendid and enriching evening of music. Encompassing six hundred years of festive creativity and beauty, this music is sure to delight your ears and warm your heart.

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On the road againnnn, from Compostela to College Stationnnnn

Danny Johnson

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And I'm glad we aren't on the road *this* weekend! Really? The strongest storm in history in the Western Hemisphere? Yikes! I hope it doesn't live up to its description ... At any rate, even though we're still dealing with earworms from the Medieval Pilgrimage concert, we are preparing for our annual (since 2010) pilgrimage to St. Thomas Episcopal Church in College Station to present a shorter version of September's popular concertConvivencia Re-Envisioned: The Three Worlds of Renaissance Spain. If you're in the vicinity and want to re-visit the concert or if you missed it the first time around, then check out the info below and come see us!  Or you could recommend it to your friends in College Station and environs.... News about the Christmas concert is coming up ... 

–Danny

Convivencia Re-Envisioned: The Three Worlds of Renaissance Spain

Sunday, November 8, 2015, 6:30 p.m.

St. Thomas Episcopal Church
906 George Bush Drive, College Station

Please join us for a concert that explores and celebrates the musical relationships among the three great cultures—Muslim, Jewish, and Christian—that co-existed peacefully on the Iberian Peninsula during the Middle Ages and early Renaissance. Islamic Spain during these times was an extraordinarily tolerant culture in which learning was prized. In the library of the caliph of Cordoba were at least 40,000 books; most Western monasteries were fortunate to have 400, or even 40! Many works on mathematics, astronomy, physics, and medicine had been translated from Greek, Persian and Hindu sources into Arabic, and these books were, during this time, being translated from Arabic into Latin through the combined efforts of Muslim, Jewish, and Christian scholars. Co-operation, Tolerance, Co-existence, Mutual Respect: These were the hallmarks of this extraordinary time. This year marks the fourteenth anniversary of the terrorist attacks on the United States, and since that time we have experienced the brutality of the Islamic State, the horrors of the civil war in Syria, and, in our own country, Ferguson, Baltimore, Charleston, and more. The need for true Convivencia is greater than ever; these are qualities much needed in our own day.

This concert will feature Sephardic and Middle-Eastern songs and dances, along with 16th-century Spanish polyphony for voices and instruments, focusing on the intersecting issues of life among these three cultures: Love, dance, food and drink, dreams, secrets and prayers. Featured performers include santur and oud player Kamran Hooshmand (Iran), harpist Therese Honey (Houston), outstanding instrumentalists on psaltery, viols, Renaissance guitar, and other instruments of the period, and outstanding singers. The award-winning Texas Early Music Project is under the direction of Founder and Artistic Director Daniel Johnson. The concert will be followed by a Reception in the Parish Hall.

This concert is supported in part by generous grants from the Gilbert and Thyra Plass Arts Foundation and the Joe and Florence Ham Charitable Trust.

Tickets $10/$5 students, at the Door

For more information, please contact Bonnie Harris-ReynoldsOrganist & Music Director, St. Thomas Episcopal Church

St. Thomas: music@stthomasbcs.org
Phone: (979) 696-1726 or (979) 696-0452

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12 Days of TEMP Christmas: Days 3 & 4

Danny Johnson

DAY 3 TREAT (DEC. 3, 2014):

Alright, hands up! How many remember Gaudete, the wonderfully gnarly and spirited version that the British folk-rock group Steeleye Span recorded in the 70s? Yes, their pronunciation left choral conductors and educators a little, um, exasperated, but it was mind-bending and really crossed all sorts of cultural lines. TEMP is performing it for the first time at this year’s Christmas concert. I can’t wait! Though the pronunciation will be more in line with historically informed performance, it will still be spirited and raucous.

An Early Christmas in Europe in 10 days. Except we’ll be in Austin.

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DAY 4 TREAT (DEC. 4, 2014):

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Our guest harpist, Therese Honey—the fabulous Therese Honey—is playing Nos galan in our Christmas concert. Great, one might think. What the heck is that? 

It possibly originated in Wales in the 16th century, but there are no remnants of the Welsh version of the words. The tune was first printed in 1784 and then became a Welsh folk carol for the New Year. The one they call “Haydn” included the melody in a vocal/piano piece, though it might have been written by one of his students.

The lyrics as we know them were first published in New York in 1881 and really have nothing to do with the original carol. Yes, it’s “Deck the Halls with Boughs of Holly” but, since it’s a flashy harp solo with amazing variations, there will be no falalalalalalalas heard.

That is all. As you were. See you in 9-11 days, depending on which concert you come to!

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