Who knows where the thyme goes?

Oh, and we're out of milk, too ...

Firstly, I offer my sincere apologies: I meant to write this blog earlier this week, but ever since the time change I have been trying to make up for that MIA hour. You'd think I would get used to it at some point. . . 

Anyway, it's been a far busier first-quarter year than we are used to, with lots of school and outreach concerts in January, a huge and unusual and unique concert in February, and lots of grant applications in anticipation of our 20th season next year.  And then there was the Amplify Austin campaign in March. Yay!!

THANKS SO MUCH to all who donated to support our planned recording of the original Carmina Burana repertoire! We've raised more than $8K for that project and need to raise a bit more to go before we can proceed, but it's in our plans! 

Also in our plans: This Sunday (March 18 at 7:00pm) we have another outreach concert, this time for the residents at Westminster! And up next is the concert in which we get to tell it like it really is. Yes, the Complaints concert! It's a funny (and fun) concept, but the music is strikingly beautiful and oftentimes bittersweet—except for when we're just being grumpy! See all the details below and buy your tickets now for this musical kvetch-fest!

Beware the Ides of March!
-Danny

Complaints Through The Ages

 7:00 pm, Saturday, April 21, 2018
Redeemer Presbyterian Church, 2111 Alexander Avenue, Austin, TX

3:00 pm, Sunday, April 22, 2018
First Presbyterian Church, 8001 Mesa Drive, Austin, TX

Admission $30 general; $25 seniors (60+); $5 students (at the door only)
Tickets available in advance online or by cash, check, or credit card at the door.

For more information, call 512-377-6961 and leave a message,
or email info@early-music.org.

“I am, therefore I complain.” Humans have always had things to complain about, ranging from life-threatening, quality-of-life issues to conjured or superficial annoyances that simply don’t fit into the notion of what a good day should hold. Our musical exploration of complaining has an eclectic array of music from Medieval times through the Baroque: Scottish Ballads, French chansons, Dowland madrigals, powerful selections from passionate Italians (Monteverdi, Carissimi, and Sances) and more. Lots of beauty, some sadness (maybe a few tears in those complaints) and quite a few laughs! With guest Ryland Angel (countertenor), and more!

Click on the image above to buy tickets now!

It’s About Time for a Blog from Danny

Howdy! I might be in the minority, but I've sorta enjoyed these extra-chilly patches we've had lately (firmly knowing they were merely 'patches' and not the new constant normal.) 

A'lante Flemenco's Juana: First (I) Dream accompanied by members of Texas Early Music Project

Anyway, it was a really busy and rewarding December, with lots of concerts with lots of friends, and January has been busier than usual with our collaboration with A'lante Flamenco at the Rollins Theater (read the Austin Chronicle review here!)—that was so much fun and educational at the same time. We also had school concerts at Texas School for the Blind and Visually Impaired and an upcoming one at the Armstrong Community Music School on Jan. 28, 2018. 

And all during this (and for the last year, actually) we've been working busily on our upcoming concert/theatrical concert It's About Time: Companions. Though it might be difficult to explain in a sentence or two, it is chock full of beautiful music from about 1200-1900, along with a healthy dose of music from 2017-2018 written/arranged by me. It's modern, yes, but hardly "shocking." The key phrase that describes the production is: "All it takes is 1 song to bring back 1,000 memories." I'm sure you know what I mean; I hear a couple of chords from the early Beatles, and I'm immediately transported to my hometown, our little house, the multitude of emotions from the teen years. So expand that by music from several centuries and imagine the possibilities!

Toni Bravo

We are collaborating with popular Austin dancer Toni Bravo, who will be providing some historical dance for our singers to learn, and she will be dancing in a few pieces as well. See the more complete description for IATime below! Bring friends! 

More soon! Happy New Year!

-Danny

It's About Time: Companions

 7:00 pm, Saturday, February 10, 2018
3:00 pm, Sunday, February 11, 2018
University Presbyterian Church, 2203 San Antonio Street, Austin, TX

Admission $30 general; $25 seniors (60+); $5 students (with valid ID at the door only)
Tickets available in advance online or by cash, check, or credit card at the door.

For more information, call 512-377-6961 and leave a message,
or email info@early-music.org.

Expect the unexpected as we explore the musical and theatrical dreamscape a girl who dreams of encountering her love in different times and places throughout history.

The centerpiece of its 2017-18 season, Texas Early Music Project’s staged concert (with historical dances choreographed by Toni Bravo) features a celebration of Western music from its earliest days through the instruments, voices, campfires, cathedrals, palaces, and concert halls over the past 10 centuries.

Twenty-three singers and twelve instrumentalists perform music by twenty different composers, with Anonymous being well-represented through the centuries. Sometimes seemingly disparate composers are juxtaposed, as are musical genres: 19th-century Bizet with 16th-century Sephardic, 18th-century J.S. Bach with 1940s Americana, and much more.

The concert will feature numerous talented musicians, mostly Austin-area TEMP members, with a few others coming in just for this, including New York singers Ryland Angel (countertenor), Peter Walker (bass), and Seattle-based mezzo Erin Calata.

Join Texas Early Music Project for a musical journey through time and a dreamer's journey throughout history!

Click on the image above to buy tickets now!

The post-Thanksgiving, post-Blagh Fridaegh blog

Yes, I indeed missed my opportunity to write a blog last Friday and call it Blog Friday, but it just couldn't be helped. Here we go, though: The Early Christmas concert is just less than two weeks away. Say that slooooowly and try to avoid hyperventilating. It hasn't worked for me; maybe it will for you. 

Our Christmas concerts offer a multiplicity of delicious music from diverse styles from diverse traditions and diverse musical eras. The upcoming one (in just less than two weeks away—did I mention that?) stays in that mold with some new elements and some that we haven't performed in so long, they seem like they're new! In honor of all this diversity of style, etc., we're using a new word to describe the concert: Multilicious! Feel free to use it. Give us credit.

Read the full program description and listen to audio teasers below. 

We hope to see you at one of our multilicious Early Christmas concerts! Buy tickets now because they often sell out! 

-Danny

An Early Christmas

7:00 pm, Friday, December 8, 2017
First English Lutheran Church, 3001 Whitis Ave., Austin, TX

 7:00 pm, Saturday, December 9, 2017
First English Lutheran Church, 3001 Whitis Ave., Austin, TX

3:00 pm, Sunday, December 10, 2017
First Presbyterian Church, 8001 Mesa Drive, Austin, TX

Admission $30 general; $25 seniors (60+); $5 students (at the door only)
Tickets available in advance online or by cash, check, or credit card at the door.

For more information, call 512-377-6961 and leave a message,
or email info@early-music.org.

Join Texas Early Music Project for a multilicious feast of Christmas music through the ages. People in different cultures across the centuries have celebrated this season of expectation and rebirth with sweet Dutch lullabies and joyous English carols, rousing Spanish villancicos and dulcet French noëls, Celtic cradle-songs and exuberant folk-tunes.

We’ve chosen pieces ranging from Medieval Spain and England to Baroque France and Germany and beyond, encompassing more than 500 years of humanity’s hope, love, and joy. TEMP puts its distinctive stamp on the intangible essence and passion of Christmas, with arrangements for solo voices, small chorus, harp, violin, flute, mandolin, viols, and lute.

Enjoy these audio teasers from our CDs Gaudete: An Early Christmas and Swete was the Songe:

Enjoy more selections from Noël: An Early Christmas and Stella splendens: An Early Music Christmas.

Brett Barnes, Cayla Cardiff, Jeffrey Jones-Ragona, Stephanie Prewitt, Meredith Ruduski, and Jenifer Thyssen are featured soloists, and nationally acclaimed historical harpist Therese Honey joins TEMP's troupe of solo voices, small chorus, violin, flute, mandolin, viols, and lute.

Join Texas Early Music Project for a splendid and enriching evening of music. Encompassing 500 years of festive creativity and beauty, this music is sure to delight your ears and warm your heart. And you can use our new word, multilicious!

Click on the image above to buy tickets now!

Septemb... oops, October Song

Ah. The first almost chilly morning of the season. It seems like a long time since we've heard from you, old friend Winter. . . .

September and early October passed like a whirlwind, since, due to scheduling conflicts galore, our first two concerts of the season were only 3 weeks apart. Both Paris City Limits: Part Deux and 24 Italian Hits were fun and challenging; the performers rose to the occasion in both cases! Beautiful music (and some well-earned laughs in the case of 24 Italian Hits) were abundant. 

If you were to look at the season concert schedule, you might think that we will spend November just sitting on the couch, eating bonbons. In reality, we have two small concerts in College Station and Georgetown and the Texas Toot Early Music Workshop to keep us busy, to say nothing of planning & arranging for the Christmas concert and the rest of this ambitious season. Both of the run-out concerts (see details below) will be small versions of the Paris City Limits concert, with some added Medieval music for the concert at Southwestern in G'town. Please let your friends in these towns know about us!

The Texas Toot workshop, near Palestine, is still accepting applicants, both amateur and semi-professional, who want to study recorder, harp, lute, viols, and/or voice. It's in a lovely setting and is a good way to spend the weekend before Thanksgiving.

More in a couple of weeks about the Christmas concert and the remainder of our 19th season! Also, our new CD, Paris City Limits, 2016, from the 2015-2016 Paris City Limits concert will be available to purchase at the concerts and is now available for purchase online!

-Danny

Paris City Limits: c.1550

November 14, 2017 at 7:30pm
Sarofim Music Series: Texas Early Music Project
Alma Thomas Fine Arts Center
1001 E University Ave
Georgetown, TX 78626
Buy Tickets Online
Adults: $12.00; Seniors Over 63: $10.00
Students: $5.00 with identification

Sunday, November 12 at 6:30 p.m.
St. Thomas Episcopal Church
906 George Bush Drive,
College Station, TX 77840
Tickets $10/ $5 Students, at the door

TEMP visits Paris and environs to explore more of the popular music from the mid-16th century: exciting dances, dazzling chansons, and genuine songs of love and melancholy by the masters and by some relative unknowns.

There will be intimate chansons which deal with scenes of daily life: lovesickness, marital arguments, romantic friskiness, and more, with exhilarating Breton dances to balance the fare.

Fourteen of TEMP’s singers will perform Janequin’s spectacular musical chanson about the birds (Le chant des oyseaux). The 7 instrumentalists will perform on violins, viols, harp, recorder, percussion, and lute.

Enjoy the audio teasers from our Paris City Limits, 2016 CD below and download the College Station program notes here (G'town notes will be similar)!

Venez, y’all!

By the light of the silvery moon...

 er, sun — whatever that is....

View fullsize

Well, it's quite an adventuresome summer so far! In addition to great concerts and the chance to visit friends at Amherst Early Music Festival, there was a really nice walk with friends through Central Park on my birthday, there's an eclipse coming next week, and yes, we are concentrating on the good things in our best Tralfamadorian manner.

Speaking of good things: Our first concert, Paris City Limits, Part Deux, will be presented on September 16th & 17th. After a recount on all my fingers and toes, it has been determined that *this* is our 19th season (!) and our slate of concerts and events is really unusual and cool! We start with a return to our popular Paris City Limits repertoire with several new-to-us pieces by Sermisy & Janequin & others.  The "new" Janequin (La Guerre) is fantastic! Ne manquez pas! (Not to miss!)

"Total Eclipse" aria from Handel's Oratorio Samson.

A reminder for the eclipse: Whatever you do, don't buy any weird plants. We don't want a repeat of  last time. 

Due to the recent effects of Hurricane Harvey in our region, we have decided to forego having a Fall Fundraiser this year. We believe this event is not appropriate at this time, but we do look forward to having some great fundraising events in the future! In the meantime, please keep your thoughts and prayers to our fellow Texans in the Houston area. Thank you for your support of TEMP and in spreading the love of great early music in the greater Austin area and beyond.

Please join us for our first concerts of the season on Sept. 16 & 17!  Details of the Paris City Limits concert with ticket links are below. 

Laissez les bons temps rouler!
-Danny

Paris City Limits, part deux

Saturday, September 16, 2017 at 7PM
St. Martin’s Lutheran Church, 606W, 15th Street, Austin

Sunday, September 17, 2017 at 3PM
First Presbyterian Church, 8001 Mesa Drive, Austin

Admission $30 general; $25 seniors (60+); $5 students (at the door only with valid ID)
Tickets available in advance online or by cash, check, or credit card at the door.

Take advantage of preferred seating by purchasing Season Tickets!

For more information, call 512-377-6961 and leave a message,
or email info@early-music.org.

What better place to begin our 2017-2018 Time Pieces season than in Paris? Renowned for its popular music of France from the 16th and 17th centuries, Paris City Limits regales audiences with exciting dances, popular folksongs, dazzling chansons, and heartfelt songs of love and melancholy by the masters and by some relative unknowns!

There will be lively instrumental dances by Attaignant, Breton folk music, and chansons that deal with scenes of daily life: lovesickness, marital arguments, romantic friskiness, and more. TEMP’s 20-voice chorus will perform Janequin’s spectacular musical chanson about the birds (Le chant des oyseaux), as well as his even more stunning depiction of a battle (La Guerre) complete with trumpet calls, cannon fire and the cries of victoire!

Enjoy this audio sample of Le chant des oyseaux from our Paris City Limits CD:

And this traditional Breton ton-bale (instrumental dance) from the area of Redene from our May 2016 Paris City Limits concert: 

Featured in our concert are special guest artists Mary Springfels (viola da gamba), Peter Maund (percussion), countertenor Ryland Angel (New York) and mezzo Erin Calata (Seattle), who join TEMP’s regular choir and orchestra as TEMP explores both the rustic and the sophisticated sides of Parisian and country life in the 16th and 17th centuries.

Venez, y’all!

Season Subscriptions and Single Tickets are on sale now!

Taxes, Cornetti, & Sackbuts: Oh my!

View fullsize

Tax season: so fun, beautiful, and revelatory! The answer to life! Yep, working on taxes always puts me in such a calm and reflective mood, especially during Easter week, when church-singers pretty much live at their respective churches. 

Also fun, beautiful, and revelatory: the Notre-Dame concert from late March. The guys did great (even when given a starting pitch that was a minor 3rd too high—way to use that technique, basses!) Many, many, many kudos and thanks to Dr. Rebecca Baltzer for her suggestions, guidance, and music transcriptions. We hope to revisit this rep soon. Or something similar. Machaut? Stay tuned!

View fullsize

But, you know, sometimes you just have to pause and take a look in the mirror and think calmly to yourself, "Holy moly! We're doing the Monteverdi Vespers in 3 weeks!!! Batten down the hatches! All hands on deck! Trim the mainsail! Find a can-opener! 

As Schroeder exclaims, "Monteverdi is IT, clear and simple!" The Vespero della Beata Vergine of 1610 is amazing and monumental and I'm thrilled that TEMP is in a position to take on such a stupendous project! We have several distinguished guests joining the equally wonderful core group for this concert. Cornetti, sackbuts, strings, 3 theorbos, harp, organ, and more! And this will mark cornettist Douglas Kirk's (former Clearlight Waites and UT Early Music Ensemble director's) first concert with TEMP in a decade. Cornetti? What are they, you ask?  Watch Meredith's informative and fun video about the cornetto! 

Have I mentioned that it's gonna be a doozy to celebrate Monteverdi's 450th birthday? (He was born May 9, so we'll be a few days late...) This is the last doozy of the season and the wise concert goer should get tickets soon!

Oh, and there's this raffle thing! Check it out! Invite TEMP to perform for your private event!

Read more about the Vespers below...with audio teasers....Holy moly!!
-Danny

Monteverdi 1610

Saturday, May 13, 2017 at 7PM, with pre-concert lecture at 6PM
Sunday, May 14, 2017 at 3PM, with pre-concert lecture at 2PM
Both performances at Northwest Hills United Methodist Church
7050 Village Center Drive, Austin, TX 78731

Admission $30 general; $25 seniors (60+); $5 students (at the door only)
Tickets available in advance online or by cash, check, or credit card at the door.

For more information, call 512-377-6961 and leave a message,
or email info@early-music.org.

TEMP rounds out its season of musical transition and innovation with the monumental Monteverdi Vespero della Beata Vergine of 1610 and it’s just in time to celebrate the composer's 450th birthday—May 9, 1567.

Claudio Monteverdi was a major power in the transition from the Renaissance to the Baroque, and his Vespers of 1610 includes elements of both musical eras. The Vespers is a powerhouse of widely diverse styles from beginning to end, ranging from virtuosic solos and duets to exuberant double-choir pieces in a glorious fusion of late Renaissance and early Baroque styles. Enjoy these audio teasers from the Andrew Parrott/Taverner Consort recording:

The 27-voice chorus includes guest soloists tenor Ryland Angel, bass Peter Walker, and tenor Temmo Korisheli. The rest of the many soloists are part of TEMP’s core singers, including Gitanjali Mathur, Jenifer Thyssen, Cayla Cardiff, Brett Barnes, and others.

The expanded early Baroque orchestra includes 3 cornetti, 3 early trombones, bowed strings, and an amazing continuo section of 3 theorbos, harp, portative organ, and harpsichord.

Don’t miss the pre-concert lecture 1 hour before each concert by KMFA's Sara Schneider!

Come celebrate Monteverdi's 450th birthday with a concert that would have lit all the candles on his birthday cake!

Click on the image to purchase tickets now!

Amplify the Notre-Dame doozy while re-setting your clocks

I don't know if it was the invitation to watch kolaches being cooked in Meredith's kitchen or what, exactly—but we exceeded our $7500 goal for Amplify Austin by more than $800!! Thanks to all who donated, of course, and thanks to the team that helped with publicizing and working to get this together, not only in the TEMP team but also the Amplify team! Please watch our thank-you video on our Gallery page! You're brilliant! The funds will go to the Monteverdi 1610 Vespers concert and it will be a doozy!

But first—a more subtle, relaxed, transparent doozy. (That's a technical term I learned in musicology classes: If something is really good and special, no matter the size of the event, it's a doozy!) The Notre Dame concert coming up on March 25 & 26 is one that we present with pride and joy, partly because no one else in this area does this rep, but also because we get the joy of collaborating with Dr. Rebecca Baltzer, renowned scholar and musicologist who has uncovered many doozies from the Notre Dame repertoire as well as much more. By the by, the acclaimed ensemble Anonymous 4 profited manyfold by collaborating with her. We're lucky because she's right here in Austin and comes to our concerts as well as concerts by other local groups. She raises the bar on how to be a supporter of real 'live' early music, right here in the Violet Crown. 

And the music? It's a beautifully transcendent [sometimes rousing] experience. Doozy to the max! There are toe tappers—don't worry! Learn more about our Notre Dame concert below and listen to some audio teasers!

More soon. Change your clocks this Sunday morning. . .
-Danny

Notre Dame Cathedral, c. 1200

Saturday, March 25, 2017 at 8PM
St. Mary Cathedral, 203 East 10th Street

Sunday, March 26, 2017 at 3PM
First Presbyterian Church, 8001 Mesa

Admission $30 general; $25 seniors (60+); $5 students (at the door only)
Tickets available in advance online or by cash, check, or credit card at the door.

Special note about parking for St. Mary Cathedral on Saturday, March 25:
Where: Capital Towers parking garage immediately behind (south of) the church. The entry is on San Jacinto Street. The other option is metered street parking.
Details:
* Take a ticket to park. Keep your parking ticket with you!
* Take the elevator to LEVEL 2 (also labeled PG).
* Validate your ticket at the table with the self-serve validation machine. 
* Follow signs to the church entrance at the front of the Cathedral on 10th St.
* Enjoy the concert!
* As you leave the parking garage, insert validated ticket at the garage exit.

For more information, call 512-377-6961 and leave a message,
or email info@early-music.org.

From meditative chant to rousing polyphony, TEMP explores the groundbreaking music of Léonin and Pérotin of the 12th-century School of Notre-Dame, whose musical innovations are the foundation for almost all the music we enjoy today in the Western world. TEMP is proud to collaborate with Dr. Rebecca Baltzer, recognized worldwide as an expert on the music of Notre-Dame Cathedral during the Middle Ages.

Though solemn, a sense of joy and celebration permeate this music, echoing the ecstasy of the Marian movement during the 12th and 13th centuries. Rhythmically complex polyphonic pieces known as organum act as a wonderful complement to the dance-like conductus and the even older plainchant. Enjoy these audio teasers:

We also include a few works that reveal the lighter sides of the lives of the monks with semi-secular works featuring vielle player, Mary Springfels, and harpist, Therese Honey.

Our a cappella choir of fifteen male voices perform in the beautifully renovated St. Mary Cathedral and the quietly intimate space of First Presbyterian. Guest artists Temmo Korisheli (California) and Ryland Angel (New York) join some of Austin’s best singers, including Jeffrey Jones-Ragona, Steve Olivares, David Lopez, Tim O’Brien, and others.

Join us in celebration of early polyphonic music that provided the impetus for generations of composers to come.

Click on the image to purchase tickets now!

Life is a subliminal suggestion, old chum

Baroque Opera is fun! Our singers and players came away from Love's Grand with new ear worms and an appreciation for a lot of music that was new-ish to them! We hope you enjoyed it also!

You know what else is fun? Chant & polyphony from the Cathedral of Notre-Dame! It may not be quite as immediately evident, but just let it wash over you and envelope you in a dessert of sound. Low-fat. Gluten free.  

Hmmm. High fat kolaches!

Somewhat less low-fat will be the kolaches that Meredith will be making during the Amplify Austin (& Amplify TEMP) fundraiser. (Get the deets below!) You'll be able to watch Meredith live-stream during the night of March 2 as she reports on the progress of TEMP's fundraising and as she reports on the progress of her newest culinary obsession! We're trying to raise some funds—$7,500— in support of our season finale concert, the 1610 Vespers by Monteverdi! It's a big ’un!

So remember: Kolaches = Amplify TEMP = Monteverdi!
And Paris! c.1200! Notre-Dame Cathedral!
-Danny

AMPLIFY TEMP!

Our goal is to raise $7,500 in support of our Monteverdi 1610 program, May 13-14. We have a LOT of new and exciting programs in store for 2017-2018 as well as the familiar ones you know and love, and we need your help to make this possible. Go to our Amplify page here to read more about it.

Here’s how you can help:

You can donate $25 (or more!) on TEMP’s page on Amplify Austin. Any Amount Helps! Here are some suggestions:

• $25–$199 Helps with office supplies and program printing 
• $200–$499 Helps cover venue rental costs 
• $500–$999 Assists with artist compensation 
• $1,000–$4,999 Assists in Director compensation 
• $5,000 + Sponsors a concert

SCHEDULE YOUR PLEDGE NOW!

You don't have to wait until March 2 to participate! You can schedule your pledge now, and it will post on March 2! Just click on the "Donate now" button on the TEMP campaign page. Be sure the little box for "This is an Amplify Austin Day Donation" is checked on the donation form.  THIS IS SUPER IMPORTANT!  If the box is not checked, the donation will process immediately and will not count towards Amplify Austin Day.

CREATE YOUR OWN CAMPAIGN PAGE!

You can also become an individual fundraiser for TEMP by creating your own campaign page on the Amplify Austin website and inviting family, friends, and colleagues to donate to your TEMP campaign. Go to the TEMP campaign page and click on "Create a Fundraising Campaign." 

BE A MEDICI - BUT NICER! AMPLIFY TEMP AND AMPLIFY AUSTIN!

Visit TEMP’s Amplify Austin page by clicking on the  button below and schedule your gift by checking the box for "This is an Amplify Austin Day Donation."

We thank you for your generous support!