On the 7th Day of Christmas We Had some News about News of the French Carol Sort!

It's the 7th Day, so it must be time for French music. Let’s consult the New Oxford Book of Carols, my favorite reference book from late October through early December!

Words and languages change. In the late Middle Ages, nouvel an indicated the New Year, the time when carols were most usually sung. That phrase became corrupted to nouel and by the 16th century to noël, and the current use of a noël as a Christmas song was established.

Nouvelet can mean both ‘news’ and ‘newness.’ Noël nouvelet, meaning a newly-made song for both the New Year and the newly born infant-King, will be performed in 7 days. Our a cappella arrangement for 4 parts (sung by women) has been a fave for the last 6 or 7 years, even though there are often a few little tweaks from year to year. I’m not sure if the audients hear the changes but the performers do! Here's an audio teaser from our CD Stella splendens: An Early Music Christmas:

That’s all the nouvelet for now. Good night, and good luck.

TEMP: An Early Christmas in 6 Days.
Be wise, guys: get your tix in advance
at early-music.org

Click to buy tickets for our Christmas concerts on Dec. 11, 12, & 13!

On the Sixth Day of Early Christmas We Didn’t Forget (Totally) to Talk about Music from the Lowlands!

Yes, I know, at the end of the 4th day we said that on the 5th day we would talk about music from the Lowlands that was related to the German music of the 4th day. I put it off for a day because I really wanted to talk about smelly, odiferous odors on the 5th day. But here we are.

The last few years, we’ve introduced several pieces by the Flemish composer Messaus and we’ve revived our famous Dutch carol. This year, we have but one piece from the Lowlands, a virtuosic choral work by Amsterdam composer Jan Pieterszoon Sweelinck, 1562-1621. He was known as the Orpheus of Amsterdam and he had a couple of other colorful nicknames as well. He was famous primarily as an organist, but he also excelled on the carillon and the harpsichord, and his improvisational skills were legendary. He was internationally renowned as a teacher of organists and was known as the “maker of organists.” He was especially important to German organists and was the teacher of virtually every important organist in the north German organ school of the 17th century, including Jacob Praetorius II, who was the son of Hieronymous Praetorius, one of the composers of our In dulci jubilo suite, the subject of the 4th day’s ramblings. And so it goes.

 There will be plenty of Dutch music in our April concert, Dutch Treat! Vasthouden! Je kunt het! Vrolijk kerstfeest!

An Early Christmas in 7 days.

Click to buy tickets for our Christmas concerts on Dec 11, 12, & 13!

On the Fifth Day of Early Christmas My Direc ... Wait! What is that Odor?

Do you remember in “Independence Day” when Will Smith’s character was dragging an alien invader through the desert complaining about how the attack was ruining his July 4th holiday, oh, “AND WHAT IS THAT SMELL???” A little pummeling followed.

Uploaded by justin on 2013-02-16.

Well, don’t worry, the odor that the French noël Quelle est cette odeur agréable refers to is nothing like that. The text is a variant of the annunciation to the shepherds in Luke, focusing on the surprisingly pleasing scents coming from the manger after the birth of the baby Jesus: “Whence is that goodly fragrance flowing, Shepherds, to steal the senses all away?” The tune appears in English sources as early as 1710 so it was probably popular in France for at least a decade before that, probably coming from the late 16th century. It was used (as a drinking song) in John Gay’s The Beggar’s Opera in 1728, as were a number of melodies that we’ve come to love—more about that later. The song would probably be more well known in the West than it is, but since the title has been translated as Whence is that goodly fragrance, What is this perfume so appealing, What Perfume This? O Shepherds Say!, and a few other hard-to-negotiate-with-a-straight-face lines, it's probably going to remain an uphill battle...

Our arrangement of the tune is in the style of a gentle 17th-century, French Baroque chamber work, with two viols, violin, harp, lute, and flute in support of the tenor soloist, Jeffrey Jones-Ragona. It is really lovely. You should have no problem avoiding mental images of icky smells, alien or otherwise. Here is a teaser from our CD Noël: An Early Christmas, sung by the birthday girl, Stephanie Prewitt (see the Day 1 post):

More tomorrow about how to remove
unpleasant household smells.
Eight days to go.

Click to buy tickets for our Christmas concerts on Dec. 11, 12, and 13!

On the Fourth Day of Early Christmas … the history of a famous carol!

So there are these carols that many of us have sung since grade school—well, at least back in the old days when we sang them in school—and they are evocative of Dickensian times and visualizations fostered by viewings of many versions of “A Christmas Carol” and Scrooge and Tiny Tim, et al.; of course we didn’t really wonder about the true beginnings of these songs. (By the way, here’s a first: I’ve got a special gift for the first person to correctly name my first solo in school; it was in the 6th-grade Christmas concert. There are those who think I’ve gone downhill since then…)

“Good Christian Men, Rejoice” began as In dulce jubilo, which was taught to the mystic Seuse or Suso by angels in the 14th century. It went through some variations in the 15th and 16th centuries before Michael Praetorius made several settings of it as did many of the other leading composers. The harmonization that is commonly used in hymnals is John Stainer’s (19th century) based on the tune that is found in the Piae Cantiones (Finland, 1582), which happens to be the same source for the Gaudete from Day 3 of our journal.

And why am I mentioning this at all? Because TEMP performs a unique arrangement of In dulci jubilo that no one else anywhere does—as far as I know! Two different imitative settings by Michael Praetorius, one instrumental and one vocal—both are virtuosic—followed by a verse by him in chorale style for four voices and then one for three voices and instruments set by Buxtehude. The fourth verse is a massive 8-voice setting by Hieronymus Praetorius with rich textures and subtle harmonic surprises; we then return to the graceful Buxtehude setting for the ‘coda.' Here is an excerpt from the 8-voice setting from our CD Swete was the Songe.

And then Tiny Tim says, “God bless us, everyone!” Ok, not really. After that 7 minutes of musical calisthenics, we move to the Lowlands for…well, we’ll talk about that tomorrow!

That is all. As you were.
See you in 9-11 days, depending on which concert you come to!

Click to buy tickets for our Christmas concerts on Dec. 11, 12, & 13.

On the Third Day of Christmas we re-visit a rock band reference!

Today's Treat: Alright, hands up! How many remember the wonderfully gnarly and spirited version of Gaudete that the British folk-rock group Steeleye Span recorded in the 70s? Yes, their pronunciation (“Gau-day-tay”) left choral conductors and educators a little, um, exasperated, but it was mind-bending and really crossed all sorts of cultural lines. They recorded it as a processional with a fade-in, fade-out effect: it was so great. You can hear the pronunciation in all its glory in this video from their 35th Anniversary tour.

TEMP is performing Gaudete again at this year's Christmas concert with just enough changes in the arrangement to keep the performers on their toes. Its origin is a little more veiled than the straightforwardness of the recording might suggest. It was published in 1582 in the Piae Cantiones, a collection in Finland of late Medieval songs from about 1430, many of which were Czech traditional songs. The melody is also known as a 15thc.– 16thc. Czech folksong, as a chorale tune in Germany, and was also used as a grace before meals in Martin Luther’s time.

Though the pronunciation and vocal technique will be more in line with historically informed performance, it will still be spirited and raucous (maybe not too gnarly) and, we think, mind-bending!

An Early Christmas in 10 days. In Austin.
Ex Maria Virginay Gaudaytay!

Click to buy tickets for our Christmas concerts on Dec. 11, 12, & 13.

On the Second Day of Early Christmas I gave myself a present!

Day #2 of TEMP's 12 Days of Christmas

I’m a big fan of nostalgia. I think it’s good any old time of the year, not just at Christmas time, Halloween, or Super Bowl Sunday! So when I was researching “new” music for this year’s Early Christmas concerts, I found myself thinking back to the mid-eighties (see photo) when a lot of my core early music interests really galvanized. Yes, I know, I was still in grade school, but still….

Anyway, I had never been a fan of the French Baroque; it seemed so snooty and high-falutin’—and then in ’83 or ’84, I heard William Christie’s group Les Arts Florissants and their recording of Charpentier’s Christmas Pastorale and I thought that it was so un-snooty and really entrancing that I should—gasp—consider changing my mind. And then I got to work with Mr. Christie in England in 1985 and he brought two of his singers to the workshop for an intimate concert; the baritone was great but the soprano, Agnès Mellon, reduced a roomful of Brits and Americans to tears in a matter of seconds. No, the song wasn’t a noël; it was a very gentle, non-assuming air de cour by Michel Lambert. (Yes, students of mine, it was that air de cour.) I realized that her singing on the Pastorale album (and subsequent albums as well) played a large part in changing my mind about the French Baroque, as did William Christie. Enjoy this teaser video! https://www.youtube.com/watch?v=PNfF9UmRqfI

Back to the present: So I gave myself the gift of scheduling excerpts from the Pastorale for this year’s Xmas concert. And, in a way, it’s my gift to you, this gift of about 7 minutes of joyous, high-falutin’ but very un-snooty and very beautiful French Baroque music for Christmas, with chorus & orchestra & with solos by Jenifer Thyssen and Meredith Ruduski. (And thank you, Agnès Mellon, wherever you are! Your Atys rocked my world.)

Joyeux Noël, y'all!
-Danny

Join us for An Early Christmas In 11 days!

Click to buy tickets for our Christmas concerts on Dec. 11, 12, & 13!

Here we go - the 42 days of Christmas! Wait - is that right?

There are only 12 days leading up to the first TEMP Christmas concert, and we at TEMP would like to give you our version of the 12 Days of Christmas! Each day, we will present you with an interesting fact, tidbit, or fun story about Early Music. Here we go! 
On the First Day of Early Christmas...

Today's treat, for the 1st Day of Christmas!

Today is Stephanie Prewitt’s birthday! Remember how many times you’ve heard her sing over the last 3.5 decades (and you always want to hear more!) with Texas Early Music Project, La Follia Austin Baroque, New Texas Music Works (later known as Conspirare), the St. Mary Cathedral Schola Cantorum, and many, many other local groups. And then there’s the festivals and ensembles around the globe that have profited from Stephanie’s talents! We are so lucky to have her with us! Maybe a wee blessing for every time she’s brought a little tear to your eye or a rush of thanks to your heart … I know what color she likes, so ask me! For this year’s Christmas concert, her solos include our revival of the Scottish lullaby Balooloo, my lammie and a trio with Meredith & Brett in the Buxtehude section of the In dulci jubilo suite. Here's an excerpt of Stephanie singing Balooloo, my lammie from our CD Stella Splendens: An Early Music Christmas.

Join us for An Early Christmas In 11 days!

More tomorrow!
-Danny

Click to buy tickets for our Christmas concerts on Dec. 11, 12, and 13!

Saint Nick & the Reindeer Games

A shout out to shoeboxblog.com for the reindeer humor!

I am actually happy Meredith didn't ask me what my favorite reindeer games were. (See Meredith's TEMP Holiday Interview!) I've kept it a secret all my life. But since you're wondering now, I'll tell ya: Cupid & Casper skydiving from Santa's sled at 35,000 feet and playing havoc with Norad / UFO watchers all over the world! Donner, Dancer, and Sneezy playing sky frisbee with errant toy drones and making goofy faces at the cameras all the while! Rudolph and Snoopy sneaking into the movies on Christmas Day for a much deserved day off. 

Ok, that's all I got. Now everyone knows. But seriously, check out Meredith's interviews with Scott, Therese, and Jenny and check out the concert listing below! We hope to see you there!

-Danny

An Early Christmas

8pm, Friday, December 11, 2015
First English Lutheran Church, 3001 Whitis Ave., Austin, TX

 8pm, Saturday, December 12, 2015
First English Lutheran Church, 3001 Whitis Ave., Austin, TX 

3pm, Sunday, December 13, 2015
First Presbyterian Church, 8001 Mesa Drive, Austin, TX

Admission $30 general; $25 seniors (60+); $5 students (at the door only)
Tickets available in advance online or by cash, check, or credit card at the door.

For more information, call 512-377-6961 and leave a message, or email info@early-music.org.

It’s time for another Early Christmas! The TEMP Eurotour continues as we explore music and the intangible essence of Christmas from the cultural capitals of Europe from the 13th through 18th centuries. TEMP puts its unique stamp on joyful chants, carols, lullabies, motets, and ballads from Western Europe and the British Isles, where many of the musical traditions we hold dear at Christmastime originated, with innovative arrangements for solo voices, small chorus, harp, violin, flute, mandolin, viols, and lute.

The familiar theme of the Nativity from the shepherds’ perspective, including their wondrous and terrifying experience with the angelic host and their subsequent gathering around the manger to adore the Christ-Child, figures prominently in most early music Christmas repertoire. We will present several works with this focus, including our original arrangement combining elements of two Nativity pastorals from 1684 by Marc-Antoine Charpentier with soloists (Jenifer Thyssen & Meredith Ruduski) and choir with orchestra. Charpentier had a particular ease and love of this repertoire and the results are ravishingly beautiful. 

The theme of the Mother and Child is especially poignant, of course; among the Medieval pieces on the concert, one popular gem is Lullay, lullay: Als I lay on Yoolis night. Its transparent texture and gentle pacing makes the conversation between Mother Mary and the Christ-Child extremely touching, heightened by the polyphony of the choir of angels witnessing the event. Listen to this excerpt from the CD Noël: An Early Christmas:

The popular tune In dulci jubilo, which has origins in the 14th century, went through many variations and revisions in the next 300 years before it became the modern carol Good Christian men, rejoice. We will present a seamless suite with settings by the German composers Michael Praetorius, Hieronymous Praetorius, and Dieterich Buxtehude for 2, 3, 4, & 8 parts. Listen to this excerpt from the CD Swete was the Songe: An Early Music Christmas in Northern Europe & the British Isles:

Motets by Sweelinck and Victoria, and lively works from Spain and France round out our Eurotour before we turn our sights to the west: Our Christmas concerts are never complete without a little taste of Celtic and English influences! Our popular versions of the Christ-Child Lullaby (with its Scots Gaelic solo by Jenifer Thyssen and audience participation) and The Wexford Carol (Cayla Cardiff, soloist) and more are in the program this year, as well as other favorites from the Celtic traditions, including a few sung by the popular Irish Gaelic singer Abby Green. We are again proud to feature nationally acclaimed historical harpist Therese Honey along with featured soloists Jenifer Thyssen, Stephanie Prewitt, Meredith Ruduski, Jenny Houghton, Cayla Cardiff, David Lopez, Brett Barnes, and Daniel Johnson. Our instrumental soloists include Bruce Colson (violin), John Walters and Jane Leggiero (viols), Marcus McGuff (flute), Susan Richter (recorders), and Scott Horton (lutes). 

 Join Texas Early Music Project for a splendid and enriching evening of music.
Encompassing six hundred years of festive creativity and beauty, this music is
sure to delight your ears and warm your heart.