
This project is funded and supported in part by the City of Austin through the Cultural Arts Division believing an investment in the Arts is an investment in Austin’s future. Visit Austin at NowPlayingAustin.com.

Copyright
1999-2013
Texas Early
Music Project
|
 |
Founded in 1987 by
Daniel Johnson, the Texas Early Music Project is dedicated to
preserving and advancing the art of Medieval, Renaissance,
Baroque, and early Classical music through performance,
recordings, and educational outreach. |
 |
The project started as a unique venue in which student members
of The University of Texas at Austin Early Music Ensemble could work and perform with professionals,
allowing students to explore repertoire normally out of their reach.
As such, TEMP served to bridge the ensembles of
The UT School of Music and the Central Texas early music community
while Mr. Johnson directed the UT EME (1986–2003).
During the period 1995–2002, TEMP's Baroque orchestra (with Daniel
Johnson conducting) performed in several productions with the
UT Opera Theater, including Purcell’s Dido and Aeneas, Baroque
and Loving It, (a pastiche of selections from the works of Lully,
Rameau, Cavalli, Cesti, and others, created by Daniel Johnson),
Cavalli’s L’Ormindo, Monteverdi's Coronation of Poppea, and
Handel’s Alcina and Rinaldo. TEMP performed regularly at the Early
Music Weekend at
Festival-Institute at Round Top, for the Texas Early Music
Festival in Palestine, TX, for the annual Mostly Music Marathon
benefiting
AIDS Services of Austin, and in public and private concerts in the
Austin area.
In 1998, TEMP became an member of the Austin Circle of Theaters,
recorded its popular CD
The Bonny Broom and Other Scottish Ballads, and initiated its
Midwinter Festival of Music, with two to three performances of a wide
variety of concerts and operas on six successive weekends (1999–2002). Local performers and guests from Europe, Canada, and other
parts of the US came together for performances of Handel’s Rinaldo
and Alcina, Purcell’s King Arthur, a post-modern blending of early
and modern music and theater (It's About Time), and an inclusive
range of concerts ranging from Hildegard chants and Sephardic love
songs to lieder by Schubert and Beethoven.
Since the 2002–2003 season, TEMP has offered a relatively calm
four-to-five concert season, between the months of September to May.
Many of the concerts were so much fun and so popular that different
versions of them were presented in successive years, including Convivencia:
The Three Worlds of Spain (2004 and 2005) and The Play of Daniel
(2003–2005).
Members of the TEMP also perform regularly with such groups as
La Follia Austin Baroque, Dallas Bach Society, Texas Baroque
Ensemble, the Clearlight Waites, Sinfonia Baroque, and other
ensembles.
|
Welcome |
About |
The Director |
The Performers |
Awards
Buy Tickets & Schedule |
Season Tickets |
Recordings
Mailing List |
Contact TEMP |
Support TEMP |
Volunteer
Photo Gallery |
Early Music Links |
Acknowledgments
Website inquiries:
temp@early-music.org |
|
Copyright © 1999-2013
Texas Early Music Project |
| |
Last updated: Mon Apr 22 2013 |
|
|